how do you guys achieve a sound separation on your tracks?
for example, im listening to BoC's TCH and the drums cut through the mix, have their own space, synths have their own space, and all the leads jump up from the track like they are visible on their own, they have their own space
is there anything more to it than just EQ-ing?

>>130009497
you pick sounds that aren’t in the same spot and you don’t play overlapping sounds together.
be conscious of where things are in space (stereofield as well as closer/further) and adjust with eq of course.
really all there is to it. practice train your ears so on so on

Do I need one of those tracks that gets the crowd to wave their arms back and forth slowly?

>>130009779
that’s when i grab an overpriced beer to top off my pregame

no

>>130009799
They seem to be crowd pleasers, but I guess it's been overdone to death now

>>130009289
Is a base mini mac good enough for logic pro? I will be recording real instruments & using some samples.
I refuse to use anything other than Logic pro, it's genuinely the only DAW I want

short detour on the way to uhhh

https://vocaroo.com/1hspE4yMqZMe

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reunite /dmp/ and /prod/

>>130009497
there is a thing called frequency masking. if you carve out the right frequencies for each track, they'll have their own space and not conflict with each other. and also what the other anon said, choose sounds that don't conflict with each other from the beginning.

>>130009497
Ignore these two: >>130009566 >>130012776
Just use a sidechain and make it PUMP

How do you get good at this shit? Is it a matter of just making tons of songs? Or do you like reverse engineer songs and sounds you like and combine them? Like realistically what do I need to do every day to improve?

added more funk to the french house number after studying the biblical texts

https://voca.ro/151BD8pXfib0

>>130013477
Sounds fun