Thread #25203457
File: image 836.jpg (274.5 KB)
274.5 KB JPG
Saturday Edition
Stubbed >>25197495
>What is /wng/ — Web Novel General?
A general for readers and authors involved or interested in the growing phenomenon of 'web novels', serialized English fiction posted to websites such as: Royal Road, Webnovel, Scribblehub, Wattpad, Archive of Our Own, Spacebattles, HFY, various personal author websites, and more
>Why read web novels?
Not for prose or tight editing or deep themes, frankly. As a whole, web novels are infamous for content sprawl and pacing issues. If you enjoy having millions of words to sink your teeth into to get to know the world and characters, though, you may be interested. Keeping up with other readers on a weekly basis to discuss the story's events unfolding is another perk, in the same way discussing an ongoing TV show might be.
>Why write web novels?
Ease of access & potential for Patreon earnings. Many successful authors gain an audience on their website of choice and funnel their readers into a Patreon. See graphtreon.com/top-patreon-creators/writing for an idea of what some are earning.
Also, once an author has earned a fanbase, transitioning into an Amazon self-publishing career is several orders of magnitude easier than starting 'dry'.
>/wng/ authors.
https://docs.google.com/spreadsheets/d/e/2PACX-1vSNZali-jIk2MASsAWVf8N 7A8BlSyzPbAFV_BhsA5Ip3SWfMPWKxaXf8P db7f0TgFyWis31BzirtPeR/pubhtml
>Advice for Noobs!
##READ THE FOLLOWING BEFORE ASKING FOR HELP##
Running your story like the business it is:
www.royalroad.com/forums/thread/116847
On writing web serials:
alexanderwales.com/how-to-write-a-web-serial/
Sanderson's Writing Lectures 2025:
https://www.youtube.com/watch?v=MEUh_y1IFZY&list=PLSH_xM-KC3ZvzkfVo_Dl s0B5GiE2oMcLY
Recommended web novels
rentry.co/d2yvczro
Anon's guide to success
rentry.co/RRBasicGuide
FAQ
rentry.co/pytefpxn
484 RepliesView Thread
>>
File: IMG_0545.jpg (151.5 KB)
151.5 KB JPG
I tried to make a webslop novel as a fanfic of this and it never took off. I’m the original gongtard and it’s the only reason why I’m bitter. Read this book for pure beauty.
>>
File: 3l8qtccdg1.jpg (48.5 KB)
48.5 KB JPG
>>25203315
Put in the time and read actual stories. If you go on the subreddits it's just endless dogshit tierlists made by retards and a bunch of low effort memes, only some of which are mildly funny.
>>
>>
File: Fire.png (1.4 MB)
1.4 MB PNG
Path of Dragons has such a promising cover, but the cringe… my god, the cringe is unreal.
Imagine the world ending and your biggest problem is that your system overlord uses gendered language.
My search for a castaway LitRPG continues.
>>
>>
File: 4355.jpg (532.7 KB)
532.7 KB JPG
>>25203457
About the 5th rewrite of the 2nd chapter.
>>
>>
>>25203543
Interesting question.
Personally, I always thought Berserk's most interesting part was Griffith's rise to power and the psychological aspect of it.
I never cared for the fights or monsters, but Berserk is mostly just that. It kinda has to rely on that and visuals because it has little else going.
Guts himself is kinda flat and uninteresting character. I guess internal dialogue could flesh him out.
>>
>>
>>
>>
>>
>>25203618
>protagonist has been exiled
>he talks to his friend, who was demoted for disobedience and never recovered
>friend has become disillusioned with the regiment and spends all his time drinking
So the subtext here is that the protagonist fears he might end up becoming like his friend. And tries to evaluate whatever such life is worth living.
>>
>>
>>
File: actuality.jpg (88.3 KB)
88.3 KB JPG
>>25203634
The difference between what you think you wrote and what you actually wrote is stark. Technically the conversation is badly structured, neither is it realistic or conveys anything you intended.
>>
>>
>>25203670
it doesn't feel particularly bad to me, though I wouldn't say it's especially good either, not to be rude
it's certainly better than a lot of very popular shit on royalroad
room for improvement but you're overstating how bad it is, in my opinion
>>
>>25203539
>"If Rihall can't exist with content servants, then it doesn't have to exist at all."
should be contented, but it also took me like 3 re-reads to understand what sentiment was being expressed, which doesn't bode well for dialogue that's supposed to sound natural
>From a captain, nonetheless
should be no less
>charged each other
being followed closely by
>smashed against each other
is awkward
>a nymph in green gained an edge over the nymph in black
it is ambiguous whether this is another stage with another concurrent fight to the aforementioned one, or if these are the same two women that charged each other
if it's different women, you need to direct the reader's attention to another stage before hand e.g "On another stage, a nymph in green...", if it's the same two women, why are we hearing about their movement and their actions and their state of undress over the fact that one is green and one is black?
>ash cunt
the black one? who? ash is white or grey, not black
>They observed as the losing nymph...
the choice of sentence structure in this line seems backwards to me, it seems like this should be one long sentence if anything, the choppy sentences do not work for descriptions and actions that sound lethargic (faltered, could no longer keep up, slower, wobbled)
>could no longer keep up
keep up with what? you haven't described what the "losing nymph" is actually doing besides "gaining ground", so to a reader's head the once-winning nymph is just struggling idle against the air, parrying nothing, until she gets a staff smack
>you are oblivious to the stratagems of these matches," Cale jested as the tavern wench poured his ale
this is just awful to read even if this character talks like this
>had been enough to deprive it all
things are usually deprived of something, e.g "deprive him of it all", but the "it all" seems to be referring to the one battle and one mistake, so "deprive him of everything" would be better
>glory hunger
his hunger for glory, glory hunger sounds ridiculous
also really that exposition simply doesn't belong there, readers can tolerate not knowing the details of an event referred to in conversation for a moment
if you cannot help but infodump in this scene then at least do it in a natural pause/lull in the conversation, not during a question immediately after a topic has been alluded to lol
>turned to stare at him skeptically
sounds far too aggressive/persistent for a conversation with active participants, stare seems to imply a pause, and adding skepticism to it makes it sound like he's deliberating over whether this person in front of him actually exists
>"Maybe, I'm reflecting my own."
not really sure what you're going for here but that comma absolutely does not belong there whatever the case
>"Confront the constable."
this tense would be allowed in a casual conversation, but with how confusing the rest of the conversation is it's not a luxury that has been earned
change it to "I confronted the constable."
>>
>>25203539
>>25203772
also it bears mentioning again please at least change "Look at that" to "Looks like they'll let anyone in here"
if your character is exiled/excommunicated/presumed dead and they are being greeted by an associate in a bar/pub/tavern this line has to be deployed
>>
>>25203700
Probably because I don't structure my conversation. I just start with a vague idea of what I want to convey and let it flow from there.
But I'm not sure what you even mean by bad structure. Real conversations typically have no structure.
>conveys anything you intended.
Objectively false, Claude was able to figure out the intention on the first try.
But yes, I'm leaning toward being less subtle. It's funny because previous drafts spelled things out more clearly, and anons here complained it was boring because it didn't respect the reader's intelligence. I guess I cannot find a middle ground between subtle and spelled-out.
>>25203705
Lascurel doesn't know MC has been exiled.
>>25203724
>it's certainly better than a lot of very popular shit on royalroad
That's the goal. It would be audacious to try to be on par with trad publishing, but if I can even slightly above average RR entry.
Honestly, I'm not sure if most people are as critical of dialogue as one would think.
The War of the Rohirrim has the worst possible dialogue I have ever seen. It wouldn't even get a passing grade in dramaturgy class. And yet, several people in IMDB reviews praise this dialogue. If that pile of shit gets accepted by normies, I don't think one should be too concerned with the quality of their dialogue.
>>
>>
>>
>>25203798
>Lascurel doesn't know MC has been exiled.
i do not care anon, there is such a thing as a double meaning that the reader is in on and the speaker is not
>Objectively false, Claude was able to figure out the intention on the first try.
yes because you've fed the reader (both claude and a normal person) an entire paragraph of exposition immediately before the dialogue
claude doesn't have a theory of mind for your characters, whereas a normal person will read what's in the speech and have no idea why either character would be bringing up a battle that was fought 15 years ago in this tavern, and how either character immediately knew what was being referred to, unless it was referred to earlier in the story and was present in their minds (which, from the fact that you're explaining it in the middle of the conversation seemingly isn't the case)
if you want Cale to take offense to his callous remarks to explain why he then jabs at a sensitive topic for Lascurel, you should put some narrative cue either before or after "When you lost,..." to indicate such; right now this part of the conversation is moving at breakneck speed for seemingly no reason (especially with the tedious infodump having it grind to a halt during its point of conflict)
if you really want them to simply be on the same wavelength and not mention it explicitly, it can be fixed by adding at least some sort of pause, or some request for clarification
>"When you lost, did you deserve the punishment?"
>Lascurel gave him a queer look.
>"Lost when?"
>Cale let him ponder on the obvious implication for a moment longer.
or
>"What else would I be referring to?"
>"Ah. And why would you be bringing that up now?"
then you can wedge your exposition in afterward, or ideally stick it in after Cale makes reference to some aspect of it (i.e he provides a detail that actually needs clarifying)
whether or not Lascurel is genuinely confused for a moment or is simply hoping that Cale isn't referring to an omnipresent elephant in the room doesn't matter; the dialogue's more plausible, and Lascurel's brief confusion validates the reader's own confusion, and reassures them that this shift in topic is deliberate
>>
>>
>>
>>25203772
Appreciate the high effort critique and your reading it three times. I won't lie and say I agree with most of your critique, but most of your points are solid.
>also really that exposition simply doesn't belong there,
You are probably correct. But honestly, I'm kinda fucked either way, from the looks of it, I'm only capable of delivering information in confusing conversations or in exposition dumps.
>>25203773
why are you obsessed with that?
>>25203828
It's a tavern with mock battles as entertainment.
Fair enough, I don't describe the tavern, and that might a white room issue in the making.
Maybe it would be fun to describe, but I feel like this chapter is already bloated with.
>>25203830
There is a story there.
>>25203838
>>right now this part of the conversation is moving at breakneck speed for seemingly no reason
The reason is that I have to get this part of the way, so the rest of the chapter can happen in the same chapter. It's already 500 words. Within the rest of chapter, I somehow have to fit the following events:
>Cale debating with a Fire Nymph about the merits of happiness, devotion, and obligation
>Said Nymph getting killed by another nymph during the duel
>Cale visiting his sister's mansion
>Cale notices his sister has become a subject of domestic violence
>Cale wanting to intervene, but his sister protests, resulting in a falling out
Either way, I genuinely appreciate all of your anons critique here.
>>
>>
>>
File: 3a7e80abce708c125f0a7ed2a70da571.jpg (468.5 KB)
468.5 KB JPG
Any good sci-fi webnovels? Any of them having mecha elements to it?
>>
>>
>>
>>
>>25204207
>write a world where proper mapping technique doesn't exist
>lampshade everyone is bad at drawing maps
>my scribbles are now lore accurate
I don't CARE wtf a rainshadow is, my mountains go in THIS direction and there's a tower of babylon in the middle of the grassy plains where the beastmen (catgirls) live, DEAL WITH IT
>>
>>
>>
>>
File: low_res_map.jpg (2.1 MB)
2.1 MB JPG
>>25204184
I have one of those, continental US for scale.
>>
>>25204234
>>25204243
ummmm do the geological features make tectonic sense? do the landforms and shorelines produce logical weather systems? where do ocean currents fit into this?
>>
>>
>>
>>
>>
>>
>>
File: HBPcJoxWwAAUN7E.jpg (36.5 KB)
36.5 KB JPG
>>25204190
>Look for new VN in Genre I enjoy
>read until the end
>leave 150+ word comment
>rinse and repeat for 3 hours
Simple as.
>>
>>
>>
>>
>>25204243
Looks cool
>>25204207
You don't have to be.
>>
>>25204404
>>25204413
Skill issue
>read my old work
>it's great and makes me laugh sincerely
Just write better.
>>
>>
>>25204404
>>25204413
Self reflection is a direct path to success.
WAGMI
>>
>>25204214
Those details are typically not that important. There are a million bizarre things that are contradictory to what surface level geography says should happen in the real world, so it's not that hard to accept that there are many ways why that fantasy geography still makes sense.
Take northern Europe as an example: the land is rising (relative to sea level) at a rate of 2-9 mm per year. There are random giant rocks throughout the area and an enormous amount of lakes. The salinity of the Baltic Sea is low enough that you can drink the water from the surface and actually hydrate, despite it being connected to the world ocean.
The reason for all of these is that during the last ice age northern Europe was covered by glaciers. These are all consequences of that, but if you're around today you don't really think about glaciers that disappeared 10000 years ago, but their effects are still felt.
>>
>>
>>25204483
Interestingly enough, the modern Amazon rainforest only exists due to human caused desertification of the Sahara. (Not in the stupid climate change way, but because we overgrazed cattle there thousands of years ago.)
Phosphates are carried by wind across the atlantic an deposited over the south american continent. Effectively south america continent taking north africa's once vibrant soil quality.
Knock on effects like this are difficult to predict and apply.
>>
>>
Has any author ever decided to rewrite a webnovel and realize that they didn't like it enough and re-upload the edited story? Or is it simply too late and authors just go with the flow?
Or, is the best way to go about it is to rename it under the guise of something new?
This'll be me, I'll realize I didn't like my magnum opus and fix it later on.
>>
>>
>>
>>
>>25204521
>>25204523
only relaunch if you fucked up the initial launch. if you released with a reasonable methodology it will not do better the next time just because you cleaned some parts up
>>
>>
>>25200571
>>25202863
>RE: Born Under a Black Sun
Hello again, anon. I enjoyed your book and left a positive review. I'll read your sequel when it releases. I assume that the ebook you linked me in /sffg/ about two weeks ago is the most recent version so here are two glaring errors I noticed that you may or may not be already aware of:
At the end of the chapter 24flashback, the search phrase you are looking for is"Farstride wasn't cuddled up in the warm fur [...]"where the name should beBelhein. It's okay, I get it.Farstrideis hot.
There is no page break between the end of ch. 25 and start of ch. 26.
Another observation: I read this on an e-reader and your epitaph (am I using that term correctly?) font is painfully smaller than normal. Maybe change the font and increase the size, or re-do that entire compendium idea. I don't know.
>RE: Stranger's Fate
This guy has a way with words, excellent knowledge of the in-world voice, and sadly, absolutely zero mentions of this in the /v/ archives. I've read the first five chapters. The author puts many authors to shame through the method which he portrays the MC's reality tunnel.
If you are familiar with TES lore, then this fanfic involves our Breton protagonist, a researcher of the Ancestral Moth Cults, getting into a wacky Mantling mess where he is kidnapped by Caius and accused of being in Elsweyr -- of which he claims to have not been and had documentation to prove it -- during a tricky mess where two (2!) of the same exact Mane appeared, verified by many other witnesses and interrogators.
I can't wait to see where this goes, brothers.
>>
>>
>>
>>25204569
hm but why not start a new story then? most newb issues are deeply intertwined/structural to the story and starting over and trying to do things correctly this time from the ground up is much better for learning
only paragraph-level stuff can be painted over and improved in the way you're talking about, unless i'm still misunderstanding you
>>
>>25204569
if you're talking craft and skill refinement, starting a new project is much more effective for that
sure, there's specific insight to be had in rewriting, but I'd say you're much more likely to learn and improve by starting new projects than reworking old ones
>>
>>
>>
>>
>>25204523
>it's been established as a winning strategy
Not really? It's a very niche, sometimes-works-okay strategy. The vast majority of people who try this pull roughly the same numbers.
The best performer I can think of is REND and even that didn't do amazingly better, just somewhat better
>>
>>
>>
>>
>>25204153
>>25204155
>"Looks like they'll let anyone in here" is a common enough greeting for Lascurel to say it regardless of his knowledge/ignorance of Cale's exile
>the phrase is common enough to read like lighthearted tavern ball-busting to inattentive readers
>attentive readers will recognise the literal subtext behind the banter
yes I'm autistic but I just don't understand why you'd architect a scene that seems to call for this very obvious line and then never use it
it makes a hell of a lot more sense than "Look at that," which not only isn't a greeting, but is basically trying to communicate the same thing (i.e feigning surprise at the MC's presence in a public tavern, with the irony being that the person receiving that greeting actually shouldn't be there, and the speaker doesn't know it)
the replacement line makes that irony more pointed and sounds more charming and engaging, "Look at that" just doesn't hook a reader into a scene
>>
>>25204732
I am an immigrant 'from' /sffg/; from '/lit/; from old9k. I read anything remotely interesting. UNFORTUNATELY I am imprisoned within a chamber of "read megapopular bestselling/trending garbage or suffer eternally within an echo chamber".
>>
File: damn you vixen.jpg (46.6 KB)
46.6 KB JPG
is this an actual problem for cultivators?
>>
Don't forget to report and ignore newfags like >>25204549 who actively contribute to off-topic discussion and have been spamming off-topic for literal years.
https://warosu.org/lit/?task=search&ghost=false&search_text=tinashit
>>
>>
>>
>>
>>
>The Grandmaster Strategist
>the MC is weak and has no martial arts
>never gets them either
>instead he gets a super loyal servant who is a martial arts genius and they're basically attached at the hip
might as well have let the MC have the powers at that point
still enjoyed the novel though
>>
>>
>>25203479
Same thing happened to me. First .5 review made it very explicit that they "were bored to tears because the story is so slow... and feels like a waste of time."
I wonder what this guy thinks of New Life as Max Level Archmage and Super Supportive. They also have really slow and uneventful beginnings (until around chapter 20, or even beyond).
>>
>>
>>25205317
When you look at these popular stories, they're not very eventful, technically, but they at least make it clear who's doing what, where, and why and what comes next. It may not be well told or even engaging, but they do maintain a sense of purpose and continuity.
Meanwhile, most anons' stories kick off in the middle of nowhere with some literally who bantering with a nobody about nothing. I often have intense trouble telling who's even supposed to be the protagonist and you really have to dig to find what's the point. All the basic building blocks of storytelling are missing. Reader reactions are understandable.
>>
>>
>>
Archmage story, but boob size scales with mana pool.
>In the shimmering spires of Eldrathar, where ley lines wove through the sky like veins of liquid starlight, magic was not merely power—it was form. Among the Archmagi, mana did not hide in dusty tomes or glowing runes. It manifested.
>Elyndra Voss was the greatest of them.
>She stood atop the Obsidian Tower as thunderheads gathered, her robes of midnight silk clinging to a figure that defied mortal proportion. Her breasts, heavy and impossibly firm, strained against enchanted fabric woven with reinforcement sigils. Each was larger than her head, rising and falling with slow, tidal breaths. At full strength, they glowed faintly with inner azure light, arcane veins tracing delicate patterns beneath translucent skin. Scholars whispered that her mana pool rivaled the ancient dragon fonts. Others simply stared.
>Tonight, the pool was dangerously low.
>A rift had torn open above the city—an Abyssal Breach summoned by the Necromancer-King Thal’vorr. Undead legions poured through, and every spell Elyndra cast drained her reserves. With each blast of starfire, her magnificent form diminished. The upper slopes of her cleavage, once deep enough to lose a grimoire in, now showed the first hints of shrinkage. The enchanted fabric hung looser. Her movements felt lighter, weaker.
>“Damn him,” she hissed, voice rich as velvet and sharp as a ritual dagger.
>A young apprentice, Lirien, rushed to her side—herself blessed (or cursed) with only a respectable C-cup that marked her as a mid-tier talent.
>“Archmage! Your… your reserves—”
>“I can feel it,” Elyndra snapped.
I hate copy pasting on a phone.
>>
>>
>>25205334
Very good point. I think action movies and manga have implanted the idea "only action equals advancing the story" in my head, unfortunately. My webnovel is indeed very action-oriented and fast paced. I can't stand chapters in which literally nothing happens, although Super Supportive and Max Level Archmage are two of the few exceptions I adore.
>>
>>
>>25205506
It's all about the presentation. When people say something is "slow" they don't really mean there isn't enough stuff happening. It's just a way to say what happens is not engaging. You could write about paint drying and keep people hooked if you give it in easily digestible lines and create the illusion that it all leads somewhere. Increasing the volume of action is the worst thing to do, because then the events lose significance and seem even more boring.
>>
>>
>>
>>
>>
>>
>>
>>25205726
i think he's saying that you're economical with your words in a way that he can't replicate
>>25205669
the ability to share information briefly is something you can learn from writing webnovels as long as you restrict yourself to a certain word count per chapter and commit to specific beats before you start writing
>>
>>
>>
>>
>>
>>25205864
>Practical Guide to Evil
>1/5
I was about to read it since my friend recommended it to me. Is it really that bad?
What's the big ick or eww you got from it?
I plan to read 1% Lifesteal instead if it really is horrible.
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>25205992
>>25206004
a bit turned off seeing that it might be preachy about the 'strong women' but I'll still read it, albeit, after 1% Lifesteal.
>>
Any good isekai WNs that aren't super gimmicky (other than perhaps the start gimmick) and are just a straight shooting-the-shit story? Kinda like Azarinth Healer, or anything by FUNA. I'd try more Japanese LNs, but they are so terribly written most of the time.
>>
>>
>>
>>25206120
I think this is only true because the reader base is so tiny that no meta has formed.
I don't know of any writing website that doesn't have a dominating meta, that's just how it works
If Honeyfeed ever starts getting readers en masse it'll develop one too.
>>
>>
>>
>>25206157
it's not preachy about it, gender is more or less ignored completely (which is the issue in some people's eyes)
Cat is a power fantasy character. unreasonably good at too many things, pulls miracles out of her ass constantly. people are fine with that when it's a guy so idk why people hate when it's a fmc
>>
>>
>>
>>
>>
>>
>>25206171
I don't understand what you even mean by gimmicky.
FUNA novels all stay consistent with their gimmick (average actually equals OP, ability to make potions is retardedly broken, smug loli capitalist does capitalism) and Azarinth Healer stays "punch things harder and with magic" the entire time.
Other than that neither example is remotely like the others in terms of themes, prose, plot structure. The only thing they share I'm not going to say, and if you can't see it don't ask, I won't respond.
Just browse the Fantasy RS page or browse through LN publishing sites to see what's in their catalog.
>>
>>
>>
>>
>>25206258
It's the blatantness that gets me. People posting their own work that's hosted on a well known website? Yeah, that's fine. Posting someone else's work (That not even the author made themself) on a website nobody has heard of? Fishy as hell.
>>
>>25206252
What they share (other than FeMC) is that they're mostly about shooting the shit, without massive stakes. What I mean by gimmicky I guess is not well-defined, but think of it this way: the story is not centered around the gimmick itself, but about doing fun stuff with it.
For instance, in the top RS "I built this City" which almost qualifies, but doesn't; I can't see this story about being anything other than exploring the gimmick itself.
Abilities Average, on the other hand--yes, she is OP, but the story is just exploring the world.
>>
>>
>>25206265
The discoverability is really just contest participation. You jam out a LN sized story that coincides with the current theme and engage with the other users also doing that. Straying from that cuts the chances you get seen down significantly.
>>
>>
>>
>>
>>
>>25206301
>finished AH
I've only read the books (book 6?). There are stakes, but they're not really the day-to-day, so to speak.
>Abilities
I'm not sure if you're referring to LN 18+ which I haven't read, but if you mean the portal invasion thing, that could hardly be considered the main driver behind the story.
>>
>>
>>
>>
>>
File: Beach.png (2.4 MB)
2.4 MB PNG
>>25205877
Minecraft, Ark, Subnautica, Raft, Windrose, etc.
With how popular survival crafting games are, it’s only a matter of time until somebody writes a dude invents fire, battles sea monsters, and conquers an island of eight feet tall orc women book of my dreams.
…Maybe. Hopefully.
One of these days now…
>>
>>
>>25206561
First off, it's not an absolute rule. There are no absolutes in art
But most of the big stories with terrible first chapters are very old and had first mover advantage/a lack of competition, and consistently delivering what readers wanted made them pick up an audience over a long period of time anyway
Hooky first chapters are far more important in competitive environments, which RoyalRoad has certainly become.
Which big blow-up stories have terrible first chapters that are less than 3 years old? It's much less common to see that now.
>>
>>25206561
webnovel reader tolerance for weak first chapters is much higher than trad novel readers, and this tolerance rises in proportion with the novel's existing readership and thus perceived popularity. the force of consensus, even passive, is enough to convince many that it's worth pushing through.
>>
>>
File: sweat.png (236.1 KB)
236.1 KB PNG
>>25206519
I KNOW YOU'RE USING SPACE SATELLITES TO SPY ON MY DREAMS GLOWIE
>>
>>25206595
Yeah he means MTL. The site uses some kind of automated AI system that uses the latest models to translate all the content. Despite the #ads the results still suck, almost everything is still incomprehensible.
>>
>>
>>
>>25206323
Okay fair enough you haven't read that far yet. I won't spoil you any further. Anyway you'll want LNs with "slow life" in the title or WNs with the slice of life tag. Or something in the blurb about slow pacing.
You should be a little careful about saying a story has "low stakes." A lot of slow paced or even slice of life stories wind up having high stakes, it's just the way they're handled is "low tension." Most OPMC stories are this way: there ARE high stakes, but you know the OP is MC so they're going to handle it and you don't need to worry about it. Unlike, say, ASOIAF where you read every chapter worried about whether some character you like is going to die or something horrible is going to happen.
>>
>>25203457
Is anyone going to start writing essays or literary criticism on the rise of the web novel? You know someone needs to map out all the significant developments, such as LitRPG, cultivation, harem, dynasty building, etc. It could be like Lovecraft’s essay on Supernatural Horror, and act as a guide for any prospective writer of web novels.
>>
>>25206894
the culture is way too broad and splintered across too many sites (if not languages and countries, with all these niche communities feeding off each other in various ways), and the vast majority of all that development is totally undocumented. I'm not sure anyone even could write an accurate overview
more realistically you'd need to approach only a single site's culture
>>
>>25206928
>fragmented cultural development that's convoluted by cross cultural communication
sounds like a standard anthropological subject
>>25206894
it does sound interesting to have a thorough examination of a culture built around escapism and the pursuit of comfort/small joys but I don't see anyone going through the effort
>>
>>
File: gsULEsqaFX.png (139.6 KB)
139.6 KB PNG
lol
I'm a stranger to the fanfic world so the novelty might seem overly fresh, but fanfic writers have a strange brand of creativity
derivatively unique and often bizarre
>>
>>25206995
>sounds like a standard anthropological subject
aren't most such subjects fairly well documented though? I can't even imagine how I would begin studying the topic with any level of accuracy. it's so incredibly niche
you could sort by old forum posts and try to fabricate some kind of narrative by looking at popular stories for each year, I guess, but whatever report you end up making would almost definitely be literal fanfiction
>>
>>
>>25206785
>randomly mentioning "Tina" and responding within minutes
You are new to 4chan and you do not understand concepts such as pattern recognition.
>AI out of nowhere
Try making shit up to people in real life and see how that works out for you.
>>
>>25207041
fair enough, but at least those topics have plenty of sources to scrape through. the point is that there's basically nothing whatsoever for web novels so if you think something like WW2 is half fanfiction, whatever a stranger to the community fabricates for an evolution of web novels will be genuine total nonsense to the point of hilarity
>>
>>25207045
the most annoying thing about you might be the constant non-sequiturs and complete inability to register what's being said
the reply chain is literally about an AI site and the dismissal of its promotion. at no point is tina involved until the sudden and unprompted defense, which is in response to bashing AI promotion as if there's a correlation between anti AI shills and tina bashing
hang yourself you subsentient amoeba
>>
>>
>>
>>
>>
>>
>>25207100
He's an unnecessarily abrasive regular, but the insult tina is specifically reserved for the babbling posts that fail to follow a conversation's throughline in the slightest. Which is a definite problem here and something tina was famous for. I haven't seen rude anon usethe name otherwise, he'll just call the poster retard, grifter, etc
>>
>>25205334
Are there any more indicators of what constitutes bad storytelling? (second paragraph)
I've stumbled upon countless pointless attempts at webnoveling like this, but I've never taken the time to make an exhaustive list of factors as to why a story is bad or not.
>>
>>25207114
It's just silly how newfags are so fucking unintelligent that they expect everybody else to be as stupid as they, and act shocked and awed that they spam the same phrases and buzzwords every thread then expect you and everybody else to treat them like some unique paragon to humanity.
>>
>>
>>25207046
Well to some extent forum posts and website archives are BETTER than the sources used for war: they're all primary source material, compared to things like interviews decades later and biased news articles written at the time and the problem of some info being considered state secrets and other info being buried in archives.
Of course I don't think it'll be perfect either. Historical research is incredibly time consuming for professionals. But the video essays would probably be entertaining enough.
>>
>>
>>
>>25207192
I actually really appreciate how it was a noname pubber who got that contract, because it proved that dogshit stories won't pick up followers just because they have constant 24/7 front page exposure
Success really is merit based
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>25207218
NTA, but I can agree with that. It gives me plenty of schadenfreude seeing them fail despite the massive advantage they were given (Moonquill and those who they signed).
That said, I think Moonquill is just flat out incompetent. They don't have their finger on the pulse, they do diddly squat for their writers, and they act like a bunch of amateurs.
Even another noname pubber could do their job better.
>>
>>
>>
>>25207250
But it dispelled the myth that followers=exposure and nothing else
Those stories had incredible levels of exposure (huge banner ad 24/7 for months) and still gained basically no readers.
Stories that just started and only get exposure through the new releases list gained (and do gain) readers much faster.
Success is merit based. Various anons just have angst about what merit means, because their taste varies from the norm and they're contrarian by nature
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>25207262
this fixation on there being some boogeyman who is against ontopic discussion is bizarre
I suspect you're an idiot who garners ill-will by being a moron, and that you've conflated being called a retard whenever you pipe up as evidence of you being gangstalked by one person out to ruin all on topic discussion
>>
>>
>>
>>
>>25207272
>>25207275
One of these is the petulant newfag nigger actively dissuading ontopic discussion.
>>
>>
>>25207271
Yeah he's done that to me a few times. I don't agree with this retard >>25207277 who has a vendetta and is making it the thread's problem, but I think we all agree that we hate this guy, even if I just try to ignore him (>>25207270) most of the time
>>
>>25207278
https://en.wikipedia.org/wiki/Pattern_recognition
I have had more enlightening interactions with some of my nonverbal autistic patients than the literal children on /lit/, like yourself.
>>
>>
>>
>>
>>
at what point in terms of themes (that are not something ludicrous like TND or Race War Now) will the theme itself distract the reader from the story?
>ie.
>WN has competent plot development, writer is a relatively quick and skillful writer, it’s engaging and pleasant to read
>however, the theme of the WN can be surmised as: nobles are morally, spiritually, and physically superior to the peasant class, and that common people are as a whole genuinely evil and short sighted gremlins who would doom humanity to an infinity of stagnation and eventual extinction if not properly subjugated and directed by their betters.
>this theme is exegetic and can be assumed as an opinion of this hypothetical author
>>
>>
File: tony.png (790 KB)
790 KB PNG
>>25206109
>>25206113
How is RoyalRoad a mafia? To me, they (both staff and readers) really seem to support anyone who really tries to write good stories. Not only with words of encouragement, but also a patreon subscription here and there. A really wholesome and cool community in my opinion, honestly.
>>
>>
>>25207302
when the story ceases to function as a narrative construct and begins to address itself over the reader
if the themes are abstracted (is there a term for applying a layer of derivation that makes the subject more tangible rather than less?) into elements of the story (characters, setting, plot, etc), and the actions of those elements are designed with a purpose for the reader other than informing them of your views (i.e the experiential aspects of emotion, imagination, and dramatic speculation/uncertainty)
essays conversely are primarily concerned with the truth and logical construction of its contents, with the reader's understanding and ability to interface with the essay's content as second order to that construction
I hope your completely hypothetical author friend who goes to another school just writes his story without overthinking it
>>
>>25207311
niche subculture grows in popularity and attracts sociopaths
in this case, cabals who coordinate releases, shout swap, review swap, and generally try to manipulate the algorithm to ensure success for themselves and their in-group
I agree that RR is pretty good and has a strong hobbyist/nerd core. resenting RR itself is odd
>>
File: 1747293326771676.jpg (148.5 KB)
148.5 KB JPG
>there is no Royal Road mafia
>>
>>
File: Untitled.png (145.2 KB)
145.2 KB PNG
This isn't anywhere near publication, yet, but I've been toying with writing a story around a benign hivemind and one of the issues I'm confronted with is them convincing other characters they are actually a hivemind and not a hostile mimic that others would have to trust purely based on vibes, since obviously most people aren't going to trust an amorphous alien growth that eats people.
I've struck upon the idea of them halfway eating a volunteer so that the hivemind is basically working like half their brain in sort of a drastic demonstration that people taken into the hivemind retain their thoughts and personalities. One side of most of their head would be completely eaten away, but the other side would still be intact and normal under scans and they'd be able to speak and respond as if nothing was wrong.
First of all, has anyone seen anything like that in other stories, not necessarily the body horror aspect, but someone heavily physically modified by something that could in theory have "replaced them" having enough of their original physical self to prove that they must still be them? I don't want any "in my heart of hearts I know it must be them" or "I see it in their eyes" bullshit like you see in a lot of similar stories.
Second of all, if you saw someone with half their head gone talking as if nothing was wrong, would you be more comforted that they're okay or conclude god is dead and hell has come to earth?
>>
>>25207342
>benign hivemind
https://www.royalroad.com/fiction/45048/hive-minds-give-good-hugs
haven't read it but this was brought to mind
>Second of all
there would be no comfort. if anything, the idea that the entity was able to retain a part of the person's old self would make me conclude they're able to essentially hold them prisoner in their own head, which is horrific. and talking with half a head is just scary
>>
>>25207350
>if anything, the idea that the entity was able to retain a part of the person's old self
No, the idea is they retain all of a person's self. It's just they haven't eaten all of the volunteer yet, so the part of her in the hivemind's body is communicating with the part of her in her original body to form a coherent mind while she's being Ship of Theseus'd into the hivemind.
>they're able to essentially hold them prisoner in their own head
I mean technically, yeah. But that's not particularly different from your neighbors in theory being able to capture you and lock you in a room for the rest of your life. Why would they do that? Especially if they could hear all your thoughts and feel all your misery about being locked up?
>>
>>25207255
This is basically correct. Writing well and on-market is the best way to find success on RR. I don't know how it is for Amazon but I assume it's the same with a bit more focus on fishing for ratings and cover/blurb work.
Works that don't find success are usually poorly written or off-market.
>>
>>25207357
yeah, I get the premise but as a humie my kneejerk reaction would be to be freaked out about it. side effect of valuing autonomy
you could probably do some /wbg/ autism and worldbuild some sort of slave mentality culture that wouldn't see anything wrong with it
>Especially if they could hear all your thoughts and feel all your misery about being locked up?
the rhetoric that the enslaving force would have to experience you being upset about being enslaved is hilarious and you should definitely include that as a dialogue exchange in your story
>I'd never kidnap you and hold you hostage in my home!
>can you imagine listening to someone scream and beg for release all day?
>hell, at that point I'M the real prisoner!
>>
>>25207342
Can't say anything to the former, but no, I would not be okay seeing someone talk with half their head missing.
As for the issue of convincing others that this hivemind is actually benign... that's a tough one. I can't see any real trust between this hivemind and regular people unless those under its control look considerably different and it's very upfront about itself and its intentions. Paranoia is a very volatile emotion. Not even a Star Trek type federation would tolerate a being that can convert people without them even knowing. If assimilation is a completely voluntary thing (Or that's the perception it manages to make), that'd help ease things. Showing the benefits of it would also help sell it.
Of course, there's still going to be problems. If someone's husband/wife gets assimilated and then has a harsh divorce, what do you think is going to happen? That scorned partner is going to look for excuses why their marriage fell apart and blame the hivemind as a scapegoat. The hivemind is the perfect target for hate and fear mongering regardless of how it acts.
>>
>>25207367
They're benign, not an enslaving force. The premise is a galactic level hivemind that communicates between planets through relays creates copies of itself for diplomatic missions to planets that don't have relays set up. One such copy experiences technical issues and is force to land on a galactic backwater where attempts to go into stasis until the lifeforms there become galaxy faring go awry. Now they're attempting to not start an international war and/or get nuked due to their nature.
>>
>>
>>
>>25207130
>Are there any more indicators of what constitutes bad storytelling?
Well, not sure I'd call this strictly "bad storytelling," but let me ramble a bit. The next hurdle after establishing a compelling protagonist and communicating the founding goals of the story (and where most have flunked already) is "changing while staying the same." Meaning what?
After a writer hooks his audience, he often proceeds to do...nothing at all with his cool premise. He loaded all his ideas in the first handful of chapters and then the bank is empty. Turns out, spinning the yarn as it's happening wasn't so easy, after all. Then, following his big breakthrough, he returns to the square where the others started from: nobodies blabbering about nothing nowhere, or chapter after chapter of action without goals, and things stop moving. And then it's on hiatus and dropped.
Some more clever guys have concocted a nifty story loop, where the characters encounter a "problem" of the week and solve it using their unique characteristics. And then it loops. And loops. And loops. And readers get bored and leave. They loved the story, but now it's just the same thing over and over. You see this complaint a lot. Of course, very few winnie writers worry about their endgame. The goal is to milk the cattle for as long as possible. Forever, if possible. But the readers need the illusion that things are building up towards something bigger to stay entertained.
And then there are these rare creative visionaries, who do their own thing, who won't stop redefining themselves and their stories and take them to unexpected places. These stories often build a passionate cult following...but they rarely get huge-huge. They change too much, take too many risks, and soon cease to be the story the readers first signed up for.
So winnie writers have this paradoxical job to keep fresh and varied, while always wearing the same clothes. Take what you will from this wall of text.
>>
>>25207525
do you have any thoughts on tonal flexibility, and when it becomes tonal confusion for the reader? e.g if an author sets out or promises to write a comedy filled with light moments, but needs a tragic vignette to explore why a character behaves a certain way, what are the differences in how this is done well/poorly?
are web novel readers happy to have a mixture of tones and genres if they enjoy the premise, or do they mostly want one consistent tone and emotion throughout?
>>
>>25207532
That really depends on the presentation and it's hard to set universal standards for it. But generally, if you've established a family-friendly tone, then the tragedy stays in those boundaries too. Pull a "raped by a greasy uncle" backstory in a fluffy slice of life fiction and of course the audience will rip the author a new one. I've frankly never seen readers as sensitive to tone as on RR. Crack a joke in a "wrong" place and there'll be immediate feedback. But, as you may expect, straightforward bodily violence doesn't get nearly as big of a reaction as emotional or sexual themes.
>>
>>
File: Screenshot_20260413-150139.jpg (517.8 KB)
517.8 KB JPG
Do people really read this slop
>>
>>
File: Screenshot_20260413-153849.jpg (637.9 KB)
637.9 KB JPG
Do I want to read this?
>>
>>
>>
>>
>>
>>
>>
>>
File: Beach2.jpg (784.8 KB)
784.8 KB JPG
>>25206599
The collective unconscious is a powerful thing.
>>
>>
>>
>>
File: GlvX2b0bAAA2i35.jpg (36.1 KB)
36.1 KB JPG
>>25206251
>brother...
YOU ARE CHINESE
>>
>>
>>
>>
>>
>>
>>
File: start.jpg (191.1 KB)
191.1 KB JPG
>>25208689
Pic related is pretty good start.
>>
>>25207673
>>25207722
Is this AI generated, and what website is this?
>>
>>
>>
>>
>>
>>
>>
>>
>>25208689
You’re not giving me anything to go on here. So let’s stick to the basics.
Chapter 1
- Prologue (optional): give a taste of what the story is like. A page or two is enough. It doesn’t need to take up a whole chapter.
- Setup: introduce the MC in his native environment. He should be miserable because of a certain character flaw he has, but at the same time, he’s too set in his ways to ever change on his own. Maybe he’s a coward who yearns for strength by doesn’t want to go to the gym. Maybe he’s a loner who wants love but refuses to talk to women.
- Save the cat: Sure, the MC is flawed, but there should be something about him that makes him endearing to the reader and make them want to cheer him on. Maybe he’s smart, or kind, or capable of being heroic under certain circumstances.
- Kick the pup: alternatively, he could be such a bastard that it’s fun to see how low he can go.
- Theme stated: a random character tells the MC the exact lesson he needs to learn in this book/arc, such as, “you should rely on your teammates more,” or “you should trust your guts and do what your heart tells you,” etc. Whatever the lesson is, the MC should dismiss it and do the exact opposite for most of the book.
- Catalyst: the system smacks the MC on the head and drags him into a strange new world of swords and magic.
>>
>>25208980
Everyone calls everything terrible on 4chan, so your response is just noise
It's certainly better than Reverend Insanity. That WN only appeals to bullied edgy 13 year olds (and their spiritual equivalents)
>>
>>
>>
>>
>>
>>
>>25208997
>>25209015
>>25209019
>>25209030
Falseflagging samefag trying to ruin the good name of Reverend Insanity.
Everyone knows that Fang Yuan was not prejudiced and was accepting of other races, other genders and different sexualities. Fang Yuan had a chance to change his race into a hairyman around chapter 500, he did not do it only because it was not beneficial to him.
>>
>>
>>25209067
>the good name of Reverend Insanity.
I don't read xianxia at all but even I know RI is the most memed on story in the entire webnovel scene. Which is a gold badge of some sort, since you have to have something going for you to attract that level of attention, but it definitely doesn't have a good reputation to defame
>>
>>
>>
>>
>>25209082
>it definitely doesn't have a good reputation to defame
Source? The negative narrative is often pushed by ccp shills and haters whos feelings RI offended. Objectively speaking RI is much less offensive than the vast majority of western (fantasy) literature. GOT story is 10 times more offensive than RI and most people have no issue with it.
>>
>>
>>
>>25209146
>Source?
Me, who has eyeballs and has seen RI clowned on constantly across many communities. People do it here, regularly
Whether or not it's deserved is utterly inconsequential. We're talking about reputation, which is not based on objective facts. Many people or things get bad reputations that aren't deserved.
And RI has a horrendous reputation. That is just fact.
>>
>>25209146
>GOT story is 10 times more offensive than RI and most people have no issue with it.
GOT does not include descriptions of the main character feeding a girl who trusted him to a bear.
It's rare to find anything in literature that's as offensive as that.
>>
>>
>>
>>
>>25209167
Didn't some guy in GOT fed his dogs in a similar way?
Anyway Fang Yuan does it once and everyone stars seething but in other novels serial killers literally get to murder people in even more gruesome ways and nobody cares about that
>>
>>
>>
>>
>>25209202
Something I think you're forgetting is normally said serial killers are villains, where the audience is waiting for the catharsis of comeuppance. Fang Yuan is more devious because he's a villain but he never gets his just desserts and instead is continuously rewarded for his evil, which basically spits in the face of Western morality which is built on the backbone of "do good to others and you'll receive good", though people have begun believing this less recently I've noticed.
>>
>>
>>
>>
>>
>>25209261
>Most modern protagonists are morally gray,
NTA. But those modern protagonists still have empathetic reasons for their actions that fit western morals. Crime families are honorable and value family; Walter White in Breaking Bad has cancer and is trying to provide for his family too, or for Jesse, and when he goes fully evil and admits it by the end, he gets his comeuppance. Most crime family protagonists also get their comeuppance, despite being highly empathetic.
Fang Yuan is just evil and detestable in every way. He only cares for himself and isn't punished for it. As the other anon said, he feeds a little girl who trusted him to a bear. It's just not at all the same and you're either disingenuous or low iq for suggesting otherwise.
But you're a RI fan so it's only to be expected.
>>
>>
>>25209275
You are just looking at it from a subjective western angle. If Fang Yuan was actually a western character named Kai, slightly autistic and he fed an old ugly woman (or better yet a man) to a bear most people would not care.
>>
>>25209116
>>25209121
>>25209168
>>25209172
Author here, there is an explanation of the general cosmology of the world in the series prologue in its first 3 paragraphs.
https://www.royalroad.com/fiction/93079/keygemin-sky-pirates-gempunk/c hapter/2268843/series-prologue
>The world of Una is one of a limitless sky. Countless skylands fly above the Torrent, a sea of clouds, wind, ice, and rain. These skylands grow below the clouds around gemstones containing powerful and unknown magical energy. The gemstones descended from the sky above where during the night billions more of them glimmer in a spectrum of colors. Those glimmering stones in the distance fall for eons toward the surface of the plane of Una. In their descent, they fall onto the skylands, or into the clouds below.
>Under the clouds where the skylands grow, the gems smash together to form massive magical clusters. The skylands seed around these massive gems. After a near eternity of existence, these gems form dirt, stone, and sand. When they collect enough, they rise to float above the clouds, supported by their magic. Plants find their own ways to seed these skylands. Water pours from their blue gems, and life matures on their surface.
>When the gem's energy is fully consumed, they lose the last of their life-giving energy. The skyland can no longer be kept aloft by the energy contained within them, and they drop from the sky into the flesh-ripping winds below like the stones that they are. There they will fall into what is believed to be a bottomless chasm of clouds, storms, tempest, and mayhem. The material that once made that skyland flourish with abundant life is then torn apart, to be returned to the cosmic broil. Once again, in a future time long to pass, that material will find a new gemstone to grow around. This is the cycle of all things in Una. Destined to fall. always chasing the sky.
>>
>>25209285
>If Fang Yuan was actually a western character named Kai, slightly autistic and he fed an old ugly woman (or better yet a man) to a bear most people would not care.
Are you an alien pretending to be human? Yes they fucking would care you genuine low-functioning psychopath
>>
>>25209296
When Fang Yuan killed an innocent village girl (non cultivator) and her grandfather nobody cared, but oh no he killed another female who was a gu master, an actual cultivator, a killer in training and everyone fucking lost it, lol.
>>
>>25209306
>When Fang Yuan
Because the only people reading that shit story have bought into the deeply unpopular/controversial villain protag angle that only appeals to edgy 13 year olds
Your argument, however, was that it's no different from other morally gray protags in the west (see: >>25209261), which is wrong, as we've discussed and which you've conveniently ignored to once again bring up RI.
As expected from a RI fan, you are as unable to follow a conversation or form a coherent argument as tina is
>>
>>
>>
>>
>>25209322
Nah, completely disagree. I don't think there's an author out there who does it more for the love of the game. He writes 6k words a day for 5 years straight, be serious. Refuses to play the amazon KU game for infinite money glitch, etc. He just rambles by nature
>>
>>
>>25209342
I don't really give a shit and I find caring about the author's gender, identity, views, or anything else extremely cringe. Why do you people waste mental energy on this garbage?
I'm interested in talking about stories, and the author's identity only related to their views or presentation on writing and art
>>
>>
>>25209355
It IS the single largest piece of english fiction in existence that isn't just copy-paste spam like the other challengers. So yeah, probably a fair diagnosis in spirit if not medically
It's somewhat unbelievable that the story is genuinely good in light of that
>>
>>
>>25209368
I liked Sanderson's stuff more years ago but have kinda fallen off it. But something I will continue to respect is that he has genuine nerd love for his work. I will always respect genuine enthusiasm no matter what for. He's a huge dork with soul even if I think he's fallen off
I'm not sure what Sanderson's output per day is though but I don't think he comes close to Aba or other prolific web novelists. He's impressive by tradpub standard's of output only. Seeing how he has full teams of editors and archivists it's even less notable
>>
>>25209374
I don't think anyone comes close to Aba. The Wandering Inn's first chapter was punished on July 27th 2016. That was 3548 days ago. The story is 16.3 million words by now.
That's 4600 words per day. Every day. For 10 years.
>>
>>25209374
I think his output per day is somewhere along 2,000 words per day at a minimum, which is about 1/3rd as pirateaba. this is still at a prolific pace, though none are as prolific as the old masters of the preceding genre, pulp.
For example, Robert E. Howard wrote at a pace of 12,000 words a day in 12 hours.
>>
File: pirateabas-publication-speed-in-perspective.png (287.8 KB)
287.8 KB PNG
>>25209374
Old chart
>>
>>
>>25209394
>2k
Yeah 2k is the high end of tradpub. That's what Stephen King does too though, right? Sanderson isn't in a realm of his own like Aba is
>For example, Robert E. Howard wrote at a pace of 12,000 words a day in 12 hours.
I've had 10k word days too, what's impressive is sustained output. We can all binge. Did Howard have a prolific total career?
>>25209401
Well, that gives a clear visual lol
>>
>>
>>
>>
>>
>>
>>
>>25209426
Why would that matter when we're talking about something as simple and objective as words per day? But yes, obviously I've heard of Robert E Howard, come on. I just didn't know what his actual functional output was
If you're asking whether I've read Conan or his other works, no, but again that's not really relevant
See >>25209428
>>
>>25209329
>who does it more for the love of the game
I present to you a man who has 300+ published stories, has been traditionally published, and has sold more writings to Asimov's (and maybe other magazines) than any other author alive: https://isfdb.org/cgi-bin/ea.cgi?199
Of course, as per usual, he isn't megapopular /enough/ for normalfags on /lit/ to try him out.
>>
>>
>>25209346
>I don't really give a shit and I find caring about the author's gender, identity, views, or anything else extremely cringe. Why do you people waste mental energy on this garbage?
Honestly you really can filter out a LOT of trash by simply being discriminatory based on the author's characteristics. In the sense of having "discriminating taste."
For instance, I've filtered out 99.99% of contemporary tradpub simply based on demographic characteristics of the authors. I've missed nothing of value.
>>
>>25209432
>>25209445
bait
he's back
>>
>>25209440
>>25209441
>>25209445
>>25209449
random quotes lol
>>
>>
>>
>>
>>
>>
>>
File: Elements of Eloquence cover.jpg (54.4 KB)
54.4 KB JPG
>>25209470
Like anything else, the more you do it, the better and more efficient you get at doing it. Once you've picked out your favorite sentence-level literary techniques and grammatical structures it's just a matter of writing them up and stringing them together based on the content of what you're writing.
>>
>>25209480
Thanks, you're probably right. I have a lot of reading in the subject to do and a lot of classics to read. I'll read this one too. I'm currently going through Dan Simmons' On Writing Well, have you read those?
>>
>>
File: the trivium cover.jpg (231.7 KB)
231.7 KB JPG
>>25209483
I don't read a lot of books about writing, but I read a ton. My favorites are that one, picrel, and also ABC of Reading by Ezra Pound and How to Write a Sentence by Fish.
Most writing advice gets repetitive and subjective the more you read, so once you have a foundation in grammar (picrel) it's better to just read good works (ABC of Reading contains a lot of good recommendations and excerpts). Elements of Eloquence is good for labeling little tricks and explaining them straightforwardly, unlike English teachers who dance around and never speak clearly and just say flat out what things like alliteration are and why they're good.
>>
>>
>>25209498
Ironically I learned about alliteration in 4chan (in /v/ no less!) and it impressed me so how it improves the prose when done the right way. Even Lolita's famous opening quote is partly great because of the impressive alliteration used there. Of course I don't have a background in English, but more people should know about that.
>>
>>
Since writing advice was brought up I think Wales's article is really good
https://alexanderwales.com/how-to-write-a-web-serial/
Particularly:
>Work in Chunks
>One of the things that makes web serials more easy to manage is to break things down into their component pieces. The scene is the fundamental unit of storytelling, and scenes make up chapters, which make up plot arcs, which in turn make up books, and if you stack up enough books, you’ve got a whole giant serial. Anything between the ‘chapter’ and ‘whole giant serial’ level is technically optional, but I think playing at several levels is what makes the most sense, both as an author trying to write the thing, and for readers. The classic narrative is peace->conflict->tension->resolution, and one of the primary things you do when making these ‘chunks’ is to ensure that you’re nesting narratives. An example might be starting with a ‘hometown’ arc, which has its own peace->conflict->tension->resolutio n, but also, taken by itself, serves as the ‘peace’ part of a larger overarching arc.
>If you do this kind of division or nesting, you can think of different parts of the story as black boxes whose inputs and outputs are known, but whose internals are not. It allows mindspace to be dedicated to a more granular level of the story, whatever you’re working on at the moment.
>Generally speaking, I would set aside a few hours for outlining when I was starting in on a new chunk, though my approach to outlining usually meant being away from the computer and having my body do something while my mind was occupied with the book, which meant that it didn’t much cut into normal fingers-on-keys writing time. In this way, outlining got divided up across the whole time I was writing, with the major plot beats pinned at the start, especially those at the end, but the rest having attention on them only when I was closer to actually doing them.
Personal emphasis on
>If you do this kind of division or nesting, you can think of different parts of the story as black boxes whose inputs and outputs are known, but whose internals are not. It allows mindspace to be dedicated to a more granular level of the story, whatever you’re working on at the moment.
>>
>>
>>
File: author-word-count-chart.png (396.7 KB)
396.7 KB PNG
>>25209401
I had AI make a chart that compares more authors.
>>
>>
>>
>>25209570
seems like too much effort, i thought you had that autist grind in you which is why i asked, but no worries if you don't want to
tho, simply adding in more tradpub authors seems redundant, but if you found it personally interesting, good for you. i would've found it way more interesting to see how all the big names of the web novel scene compare
>>
>>25209537
Based on what I've seen posted in these threads it's very common. I don't know why it's so common, either. Good books don't start that way. Nor do good tv shows or movies. Where is this drive coming from?
>>
>>
>>25209509
learn a bit of phonetics and try rewriting your favorite poems in IPA
half of a pleasing phrase is phonemes repeated in a rhythmic structure. the other half of a pleasing phrase has to do with meaning and is much more complex and organic. while one part takes intuition and is practically a mystical quality for how difficult it is to learn, the other can be learned by anyone with a little practice
alliteration, rhymes, and patterns are accessible and easy to understand, and can only improve your writing
>>
>>
>>25209579
it's a totally unsubstantiated guess, but the old newb standard of fantasy fiction was long, boring descriptions of a town, landscape, or area of some kind, homing in on the protag (wheel of time style)
it's long since been decided that's outdated and boring, and most people know dialogue is more interesting, so the current newb mistake is to start with dialogue since that's "modern"
but since they don't really understand what makes for a catchy hook, it's just random banter between people that doesn't properly hook the reader into some engaging storyline
admittedly, I still think that's much better than other starts
>>
>>25209582
i've fiddled with ai before and it's not magic, to properly create a chart with accurate wordcounts you'd properly have to scrape dates on some sort of archiver like waybackmachine. it would be a decently long project.
your chart was probably totally hallucinated to begin with, and is probably very inaccurate, despite much more consistent LLM training data seeing how those are insanely popular tradpub authors. it probably hallucinated dates and word counts and assigned them confidently
a prompt "make a chart for webnovel authors..." would fail completely, i guarantee it. i could make something accurate for web novels with Claude Code and web scraping but i don't care enough
>>
>>25209587
The idea was: since I've seen somewhere that dwarves have little sexual dimorphism and females look like males (this is Discworld? I don't remember), what if elves had men that look like women (except the pipi and tits)? There's half a chapter written about this lmao
>>
>>
>>
>>25209595
am i being an ass chud for pointing out that not even the top 0.1% of webnovel authors focus on prose to the extent >>25209584 discusses?
this is poetry or literature level of prose dissection that fits in /wg/ but not really here. if you enjoy it for its own sake go wild but as far as readers care you just need to be able to write without gross repetition and clunkiness
focus more on storytelling and characters, that's what people really care about
>>
>>25209599
I believe that in whatever craft someone should aim for the highest level if he can hope to even land on mediocre. If just aiming for mediocre, don't expect to even land on shit. I'm not trying to be an ass either, it's just my own philosophy, I certainly don't claim to be better than any web novel writer.
>>
>>
>>
>>
>>
>>25209609
if it's one prompt and you have the whole workflow just put it into gemini and show me the chart
but that's not how it works and if you do try that you'll get utter nonsense back. as i said i know how AI works already. I seriously doubt your previous chart was remotely accurate to begin with but at least it drew on its pretrained data for mega-famous authors. it won't have that for web novel authors and you'll get gibberish back. there is no clear way for it to research and find data points for pages released per year - you would need to instruct it to form a proper scraping plan through an archiver like wbm
try it and you'll see what i mean. you've clearly bought into ai hype a bit too much. it's neat tech but it's stupid and limited whenever you try to go beyond anything mega-common
>>
>>
>>25209620
i said it's fine if you enjoy prose i was just advising anon that prose doesn't actually matter (beyond not being horrible via repetition or clunkiness) and what readers really care about is story and character.
>>
>>
>>
>>
>>
>>25209633
which web novels blew up because of Nabakov-like prose?
it's just different audiences, man. you're in the wrong place if you truly believe this. it's not that prose won't act as a force multiplier but if you think it's a top-tier influencer, I genuinely think you're wrong.
go read chapter 1 of a variety of top web serials. the writing is all functional at best, and much of it isn't even functional by my standards
>>
>>
>>
>>25209640
following up: even the more literary trad novels like worm, pale lights, katalepsis, wales's work, etc don't remotely approach literary level of prose. and those stories have line level writing so far beyond the true big stories it's kinda funny
>>25209644
>people do like good prose, they just dont care about bad
kinda missing the point imo. i said cleaning it up to functional is good, i said bringing Lolita into discussion is bizarre at best
>if you can and are willing, might as well take quality and improvement where you can get it.
we have limited lifespans on this earth and we should focus on what we care about. if anon cares about prose for the love of the game, i already said to do so. but if he's trying to tell stories that get readers it's fairly low priority once you move past not being total shit
>>
>>
>>25209662
>just sorta misplaced here
that's why i opened with
>am i being an ass chud for pointing out
I feel like you spent 10 posts not adding to the discussion in any way and just made me explain myself in four different manners
maybe im retarded though, been drinking. i always chat more when i have a few. but ill admit i don't see what you were going for
>>
>>
>>25209664
you're replying to multiple people and the discussion was retarded in the first place cuz it predicates on an assumed value set for how people choose to spend their time. I'd get it if it were someone going "you HAVE to do X" but I was handing advice to someone interested in the subject
webnovel readers are more interested in dramatic, narrative, and character aspects rather than prose, but those are unironically much more complex
>>
>>25209668
i guess my point from the start was that if you're gonna put 20 hours in studying something for optimal results, put it into character or story
and i also said my butt-in was a bit out of pocket since I called myself an ass chud, but i felt compelled to give the advice because anon seemed to think prose matters more than it does
but i also said to do what he wants if he wanted to, no reason to be in a creative field if you're not trying to make something you like
i don't know which posts you are but i haven't felt challenged in the discussion by any of them, i just feel like im restating the same shit repeatedly because people aren't reading what i said. again could be my fault, been drinking. speaking of im getting water and probably crashing
>>
File: 1776137311829.jpg (106.1 KB)
106.1 KB JPG
>>25209666
Yeah but have you read Fyodor Dostoyevsky's Crime and Punishment?
>>
>>25209672
you feel like you're repeating things because you are, because the discussion is one note and there's nothing to say
it's subjective preference vs subjective preference with the note that webnovel readers dont value prose much, which is true
I get being drunk and wanting to chat but there's no sauce here
>>
File: IMG_5918.gif (82.9 KB)
82.9 KB GIF
>>25209672
>20 hours
A little more.
>>
>>
File: 1308728599752.jpg (36.5 KB)
36.5 KB JPG
>Selkie missed another Monday upload on RR
Bros it's so over. He's basically only posting on Patreon at this point because he knows where his bread is buttered. I'm going to have to catch up on LNs at this point...
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
File: map.png (16.3 KB)
16.3 KB PNG
>>25209982
Not all
>>
>>
>>
>>
File: clichea.jpg (252.3 KB)
252.3 KB JPG
>>25210093
>>
>>
>>
>>
>>
>>25210200
If you sign up for KU you aren't allowed to do that, the contract is a hard lock-in. Not even having the original book available to Patreon subs is allowed, well I guess you could but it's not really worth the risk of Amazon finding out.
>>
>>
>>25210218
Are talking about the 90 renewal period? Because if you are that only means how long an author has to keep a book on KU. So yeah, someone could opt-out at a later date and reupload content. Off the top of my head I can't think of anyone who has done that though.
>>
>>25210218
Because the participation in the KDP select program also ends in 90 days. You have to renew participation every 90 days to keep getting the KU bucks, which necessitates that the exclusivity is also maintained.
>>
>>
>>25210126
>>25210146
Going to Amazon isn't a death sentence for Patreon growth, it's not uncommon for stories to stagnate on Patreon while on RR, move to Amazon, and then have their patreons double or triple.
For example: https://graphtreon.com/creator/cerim
Cerim put HDT on Amazon on May 2024, and you can see how his patreon spiked on that month and also kept growing even faster than when it was only on Royal Road.
>>
>>
>>25210308
I didn't say massive boost, through double or triple I just meant over time you have plenty of growth left. As in you don't put a ceiling on your Patreon when you move over to Amazon like one anon was suggesting.
Seeing how he's raking in all that patreon money AND untold cash through KU, the best financial decision is essentially always stubbing.
If you're doing it for readers, too, then it's almost always best to go KU. The readerbase there is way, way, way bigger. They're just not as chatty.
>>
File: dcc.jpg (50.5 KB)
50.5 KB JPG
>>25210126
If you get big. This was posted in a batch of quotes around mid 2013. DCC's author.
The second statement is unrelated.
>>
>>
>>25210472
If I'm not turned off I don't 'drop' anything. It just goes on the infinite backlog to get back to "eventually." I really do go back and go back and pick stuff out of the backlog when I have time, but it's so large I'll never get through all of it before I die.
If something's boring it's not a binary like [DNF|Will finish], it's more like, if I get bored enough I'll finish it otherwise it's just paused.
>>
>>
Does The System need to be an act of god or aliens? What if the story is about a crazy rich guy who forces people to participate in his LitRPG larp for fun?
Or if that’s too much then… maybe some secret government supersoldier program?
“By now, you must’ve noticed the device strapped to your wrist,” the voice said. “Please, don’t try to remove it. The material may seem like rubber, but I can assure you it won’t come off, not even if you take a chainsaw to it. It would be easier to hack your own arm off. Not that I would advise it.” A breathy chuckle echoed from the ceiling.
The people around me began to murmur and looked at their silver bracers as if seeing them for the first time. Many of them tried to tear off the device, using their nails and their teeth despite the warning. Teenagers were like that. The more you told them something was impossible, the more they would try to prove you wrong.
But I didn’t move. The tips of my fingers still ached from my earlier attempt, so I stood still and let hot anger bubble up inside me.
My ears focused on the mechanical laughter echoing down from the shadowed ceiling. Somewhere up there were speakers connected to a microphone, and behind that microphone was presumably the person responsible for my kidnapping. I listened to his voice, his cadence, and the way he sounded like someone who hadn’t had a glass of water in ten years, and I committed it all to memory.
I didn’t know who he was, what he looked like, or why he had taken me and a hundred other teenagers to this godforsaken place. Hell, I didn’t even know if he was a man. But at that moment, none of that mattered. What mattered was that his breathy laughter grated on my ears.
One day, I would find him. I would grab him by the head and slam his teeth into a doorknob until he couldn’t laugh anymore. That, I promised myself. And my temper began to freeze over. It wasn’t gone, only settling into sharp ice behind my eyes.
I took a deep breath and listened to what he had to say. Every word was a clue to the mystery I had found myself in.
“As I said, you can’t remove the device on your own,” the voice continued. “Not that any of you would want to, once you learn of the power it holds. I’m talking about real power, the kind children like you could only fantasize about. But now it’s real, and it’s right in the palm of your hands. Or rather, on your wrist, if you want to be technical about it.”
Was that supposed to be a joke?
Poor sense of humor. Another thing I committed to memory.
>>
>>25210611
>he had taken me and a hundred other teenagers
minor little bit of a quibble but it takes me out of first-person narration when a presumably teenaged protagonist refers to "other teenagers", i don't think they talk like that
i can tell you've noticed that though and have tried to say it as a point of comparison between the presumed age of the captor and his captives but it could be sold a little better, even just having the first mention of the age of the group in closer proximity to the age of the voice
>>
>>25210632
>I din no who blud was, or what cuz look more like, or y blud had got me n a bajillion other homies to this cap place. Shi, I din even no if blud was a dude, buh in that shi, din matter. Senpai, blud's voice made me want to punch babies frfr.
FTFY
>>
File: sko.jpg (810.7 KB)
810.7 KB JPG
>>25203457
I have this autism of actually sketching out locations. I do this because it gives better spatial awareness and more ideas about the scene.
I have been kinda tempted to include them as attachments with the chapter. But apparently nobody does this on RR. I wonder if such practice is looked down on, as it encroaches on the reader's imagination.
>>
>>25210693
Some writers disregard the setting until it's necessary to the words on the page. Others create a world in their head and describe what's happening, such that every closed door needs to be mentioned as opened to be passed through.
It's not uncommon to be like you, but nobody actually includes pictures mainly because it's time consuming. You might as well be doing a comic at that point.
>>
>>25210693
neat. nice scene
>I wonder if such practice is looked down on
I think its more that people dont like to rock the boat
an insert into the chapter I'd probably find annoying, mostly due to the mobile, infinite scroll reading format. I've appreciated images and inserts in light novels, but that was in epub and read page by page
I've seen people on RR include art and such. I prefer it most as an end of chapter author notes spoilered attachment. if I'm curious, I can see it. if I'm not interested, I can skip it. completely unobtrusive
>>
>>25210737
>You might as well be doing a comic at that point.
If I could draw, sure. Making 3D sketches of architecture is a lot easier than working with character models.
>>25210750
Thanks. It took an hour or two. SO, I could describe it in two 60 words:
>The crossbuck fence invited Cale to take a peek beyond it. There it stood, glorious like last time, the fighting pit of the nymphs. A two-meter deep, oblong-shaped hole contained five circular platforms. Each stood two meters apart, only conjoined by a wooden beam that pierced all five stone stages. Beneath the pit lay white sand and conifer cones
Maybe the end attachment would be the best option. Something to consider.
>>
>>
File: Screenshot_20260415-111956.jpg (1.2 MB)
1.2 MB JPG
I wonder how deranged someone must be to come up with dialogue writing like this
>>
>>
>>
>>25207018
The movie Cinderella 3 is a time travel movie where the main character is one of the stepsisters. So this isn't creative at all.
>>25207342
E Pluribus. A huge series from the creator of Breaking Bad that came out a few months ago has a premise exactly like this.
>>
>>25210928
No. Not the FeMC guy, but I want that and them as far away from this space as possible. Closest I'll go is 'Guy who gets turned into a girl' and no further. We need to gatekeep or we'll see ourselves pushed out of our own space like in trad pub.
>>
>>
>>
>>
>>
>>
>>25210830
They won't complain, they just leave. People are there for the story and any obstructions to the text are annoying. Some people may like it, but for others it's an immediate deal-breaker. Why cut off those readers when you don't have to?
>>
>>
File: anime.png (1.4 MB)
1.4 MB PNG
I refuse to read AI-generated stories and so-called AI-detectors throw me false-positives and true-negatives all the time. I've literally fed AI-detectors with excerpts from stories that are explicitly tagged as AI-assisted or generated, and they conclude that it was written by a human, or vice-versa.
How do lazy authors who can't resist the temptation to use AI and not tag their stories accordingly get away with it? Do they use AI and then transcript what the AI generated manually into a Word document instead of simply copy+pasting it to avoid detections? I'm pretty sure blatantly copy+pasted slop carries metadata that tells publishing platforms and readers that something is AI-generated... or maybe I'm not so sure.
Has any of you published AI-generated content without anyone noticing? Be honest.
>>
>>25211056
I experimented a while ago, generating a short text and edited it a bit to sound more like my own prose, and then ran it through an AI-detector. It reported 0% AI use and was confident the text was fully human. I think they just scan for sentence and paragraph structure/vocabulary and common AI-isms and don't read any metadata. Or then copypasting the text through office and resetting text formatting was enough to fool it.
Anyway, these detectors only help catch those lazy fucks who don't touch up the clanker slop at all. Which is the majority of them, of course. Human readers are still better at detecting AI writing
>>
>>
>>
>>
>>
>>
File: Untitled.png (660.8 KB)
660.8 KB PNG
>Every Korean web novel be like
>>
File: Rebirth-of-a-Star-General.jpg (82.6 KB)
82.6 KB JPG
Not as good as The Rebirth of the Malicious Empress of Military Lineage. The female and male leads are both nicer people and there's less out and out bullshittery, but what Empress great was how much of a vindictive little bitch the main character was and how she made sure everyone who wronged her suffered petty horrible endings, Star General is mostly just hanging out at boot camp with a cast of characters + randomly entering into scenarios where she has to be cute and banter with the male lead
>>
>>
>>25211056
I don't think AI writing is at a point where anyone with critical reading skills actually paying attention to what they're reading will miss they're being fed AI if it isn't heavily edited (at which point are you even really getting AI slop?)
I was reading a novel recently and the last few chapters were obviously shit out with AI. M-dashes started appearing everywhere. The average paragraph length noticeably changed. You started seeing a couple run on sentences that make no sense. And most hilariously a baseball bat ended up being described as having wings and flying into someone's face startling them backwards.
I really don't think you have to fret that much about AI slipping past your nose.
Also, if you're that worried, just remember AI can't do context so just track shit like physical details and if nothing is ever described in detail or details start changing around, read something else. If you're not getting enough scene details to rule out AI, the work was probably shit anyway.
>>
>>
>>
>>
>>
>>25211056
There is no metadata in plain text. AI detector is a scam. We’ve been through this rodeo a hundred times over.
>>
>>
>>25211186
> aren't AI detectors just AI themselves?
Yup, which means they are just as flawed as the models generating the content. Also as those same models get better at producing human-like text those detectors produce more and more false positives.
>>
>'That's interesting and all, but I want my space.' Falc made 1 by 1 by 1 (1^3) cube opening on the northen face of the 4^3 cube he was laying in, then he excavated another two cubes down, which became the entrance to the top of another 3^3 cubic room. Then he just waited, as he watched, after a bit of time, the Variant AB slime fell down the 2 meter long chute, and then hopped again to enter it's new domain.
sasuga autism-dono, I see your vision with perfect mathematical clarity
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>25211268
This is why at the higher end of skill in writing, people do "cool things in writing" mainly for their circle of close friends who are also good writers and can recognize what they did and why it's cool.
The air gets more rarefied as one ascends.
>>
>>
>>25211527
Shit like this is one reason why I keep all my shitty old drafts. If someone accuses my work of being "too good" I can hit him with all the similar but worse drafts from months prior.
That and of course my work is ridden with typos and mistakes anyway.
>>
>>
>>25211515
Write it out as if you’re writing a screenplay. People will tell you not to do that and to treat literature as its own medium. But let’s be honest, most of us just want to project the movie in our heads for the world to see. So use as many cliche action tags as you want.
He clicked his tongue.
He smacked his lips.
He made a sound and rolled his eyes.
He pondered.
He scratched his cheek.
He grumbled.
He sighed.
He groaned
A grumble escaped his lips.
A low rumble came from his throat.
You can make it seem slightly (very slightly) less amateurish by weaving in the MC’s inner thoughts.
Smacking his lips, he wondered how he had gotten himself into this situation.
He growled. God, everyday he came home and the only thing waiting on his plate was an indistinguishable piece of charcoal. How many times did he need to smack his wife around before she learned not to burn the casserole?
>>
>>25211643
https://www.goodreads.com/book/show/32905343-meddling-kids bounces between a screenplay and a novel, it's amusing. some random here or in /sffg/ really hates it.
>>
>>25211665
…Not exactly what I meant.
I mean when a novel drops all pretense of trying to achieve “good prose” or high art, and simply writes in the typical he said, she said, he grumbled, she replied fashion, packed with every cliche grunting, sighing, and fist clenching the author can think of.
You know? The kind of books that /lit/ likes to make fun of before going back to writing manifestos filled with run on sentences and random, smart sounding words from a thesaurus.
>>
>>
>>
>>
4Chin is dying
>>25211871
>>25211871
>>25211871
>>
File: 1775995047200182 (1).gif (1.7 MB)
1.7 MB GIF
>really want to write
>keep getting sick
>can't caffeinate so I can write properly
>it'll fuck up my sleep if I do and make the sickness last longer
I hate this. I'm being punished for going outside and being social. I'm losing backlog ;_;