Thread #129930452
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I am in love with Edith Mathis edition
https://www.youtube.com/watch?v=A-L7WBx57EY
This thread is for the discussion of music in the Western (European) classical tradition, as well as classical instrument-playing.
>How do I get into classical?
This link has resources including audio courses, textbooks and selections of recordings to help you start to understand and appreciate classical music:
https://rentry.org/classicalgen
Previous: >>129902907
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>>129930594
>>129930650
when you're talented enough they let you get away with it
https://www.youtube.com/watch?v=oJRxlzTEKA8&list=OLAK5uy_nevn2_pvsNVTR 3OAVcR_szQLZNEnmFgik&index=5
his Tristan is in the top five recordings ever tbqh. his Ring and Parsifal I'm still deciding on
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feels like a Tannhauser -> Gotterdammerung -> Parsifal day
https://www.youtube.com/watch?v=gHawNTIfFqI&list=OLAK5uy_k1VOKTJtEEGwT ltjdOtQkgnzVpaqm7m-g&index=1
Such a shame Sinopoli didn't record all of Wagner's other operas (he has a recording of The Flying Dutchman). Whenever I see this kind of situation, where a big-name conductor records only one major work of a great composer, I always wonder the circumstances behind it -- did they only like the one work (as is the case with Bernstein and Bruckner 9)? did they not think they had anything worthwhile to say about any of the other works (this is, supposedly, why Levine never recorded any Bruckner, because he didn't think he could surpass Karajan [might be apocryphal])? Who knows.
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Pollini's Chopin
https://www.youtube.com/watch?v=fsnyCAjbpgo&list=OLAK5uy_miiRAYnN8k-oy 9p6LydL2bYa70nrHQj4c&index=18
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now playing
start of Schumann: Piano Concerto in A Minor, Op. 54
https://www.youtube.com/watch?v=P6DDXE7GYmk&list=OLAK5uy_l42lXMKvWLOl7 zqBpJnrtkEcwHcmOZY-g&index=2
start of Schumann: Violin Concerto in D Minor, WoO 23
https://www.youtube.com/watch?v=TyTnEtpTVIU&list=OLAK5uy_l42lXMKvWLOl7 zqBpJnrtkEcwHcmOZY-g&index=4
https://www.youtube.com/playlist?list=OLAK5uy_l42lXMKvWLOl7zqBpJnrtkEc wHcmOZY-g
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>>129931574
His Gotterdammerung runtimes tops off at 312 minutes/5 hours and 12 minutes, lmao
https://www.youtube.com/watch?v=eqWrF7aKsk8&list=OLAK5uy_laMGm6pRXS753 PXodJLNbWuVqEss2Ea5Y&index=1
his Tristan is bomb though, and people seem to rate both his Ring and Parsifal highly. But I understand not liking them and his approach.
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Favorite recording of Schumann's Fantasie in C, Op. 17? Here's three great ones,
Andsnes
https://www.youtube.com/watch?v=XZ7hE4lQAYs
Annie Fischer
https://www.youtube.com/watch?v=77m5DlCJ6wk
and, of course, Richter
https://www.youtube.com/watch?v=CEjhA3QVdJA
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Top 40 Bach Cantatas (Unified Must-Listen List)
#01 BWV 140
#02 BWV 147
#03 BWV 80
#04 BWV 82
#05 BWV 106
#06 BWV 4
#07 BWV 78
#08 BWV 12
#09 BWV 21
#10 BWV 29
#11 BWV 110
#12 BWV 61
#13 BWV 36
#14 BWV 66
#15 BWV 34
#16 BWV 30
#17 BWV 172
#18 BWV 119
#19 BWV 194
#20 BWV 76
#21 BWV 182
#22 BWV 149
#23 BWV 130
#24 BWV 57
#25 BWV 35
#26 BWV 169
#27 BWV 54
#28 BWV 51
#29 BWV 199
#30 BWV 170
#31 BWV 8
#32 BWV 105
#33 BWV 46
#34 BWV 95
#35 BWV 27
#36 BWV 39
#37 BWV 65
#38 BWV 41
#39 BWV 68
#40 BWV 104
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>>129931905
Moiseiwitsch by far obviously.
https://www.youtube.com/watch?v=tfGmISHll84
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>>129932193
>>129932258
I'll agree with these. Backhaus has a very good early one too.
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[Editor's Caption: the kitty hears Bach's Goldberg Variations playing softly in the distance on piano, and experiences her first taste of the sublime, miraculously transforming her into a self-aware proletarian subject with class consciousness, free from the stranglehold of false capitalist ideology; thanks to Bach's angelic music, she will spend the rest of her life fighting for labor rights and economic equality, and against the oppressive, wealthy elites]
https://www.youtube.com/watch?v=QzKl121n3Jw&list=OLAK5uy_lDPSgCjgjxFJ7 xfZmSbpOfdx3cqaqGr54&index=26
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>>129932222
b-b-but anon...
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So anyone peep the new Mahler 7 from Paavo Jarvi/Tonhalle-Orchester Zurich?
https://www.youtube.com/watch?v=njehvcLk6WA&list=OLAK5uy_nw8fE5qQzffuU GmUarAxovw7JL4kYvQZ8&index=1
Also, if your browser has a translate function, check out this interview with Paavo Jarvi about his Mahler cycle in progress, it has some great tidbits, thoughts, and quotes,
https://tonhalle-orchester.ch/news/paavo-jaervi-interview-mahler-zyklu s/
>Paavo, why is it time for Mahler now?
>To me, Mahler sums up all the music history that came before him, a lot of people have realized that, Leonard Bernstein was arguably the first to say it. Mahler was perhaps really the last great symphonist We could talk about Shostakovich, about Prokofiev And of course there are others, I don't want to deny them anything. But this type of symphonic tradition in German-speaking countries ended with Mahler, although the word «end» doesn't actually fit: after a performance of Mahler's music, I always have the feeling that it could take another step forward, that another level could be explored – this feeling has accompanied me for 15 years since I first did a Mahler cycle in Frankfurt. And now, with the Tonhalle Orchestra Zurich, I have musicians*at my side who can really take this step. They understand this kind of depth and virtuosity and bring with them the agogical understanding, to get very close to Mahler's inner world.
well said, Paavo
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>>129932572
Yup. Too slow. Much as I admire Furtwangler's Wagner at times, he was too slow. I even find his Rome Ring too slow. He tempi became much slower in those works after 1950, when his health started to decline.
He did an earlier Tristan und Isolde live for which we have Act 2 complete on record, and it's one of the fastest performed, and is absolutely electrifying. I don't consider his post-50s Wagner to be an accurate representation of his style in Wagner desu. The Die Walkure is alright, I guess. It's not that slow and is still amazingly sung.
>>129932736
I wrote this about the performance:
>Järvi's Mahler 7 is likely the best of his cycle so far. The audio quality is good, especially for a modern recording, and the playing is, as expected, effortless, if a little generic. The balances aren't quite to my liking -- a little more wind focus in the tuttis would have been nice -- and he still uses the inferior orchestral layout that combines the first and second violin sections, robbing us of Mahler's rich antiphonal effects. I have seen some critics (like David Hurwitz) comment that this is too quick a reading, and honestly, I have to question their judgment; this is above average in tempo for a modern recording, yes, but in the overall discography it still leans toward average. There are many faster readings, some of which the aforementioned critic(s) have lavished with unabashed praise, so I do not understand the criticism. It is true that Järvi tends to underplay tempo fluctuations at a few points (the first movement coda comes to mind), but, if anything, I welcome such an interpretive change from the mainstream. Most conductors tend to stretch out Mahler's instructions to the point of exaggeration. But I digress; this is a fairly solid recording in the modern tradition.
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>>129932794
>I wrote this about the performance:
Nice! I like it. The 7th works best with a bit of speed and verve, imo. The soundscape approach exemplified by Bernstein and Chailly and of course Klemperer and many others is no doubt valid, but I think it sounds best when it's a little waltzy -- not a nighttime soundscape, but a dreamy adventure.
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>>129932794
>Yup. Too slow. Much as I admire Furtwangler's Wagner at times, he was too slow. I even find his Rome Ring too slow. He tempi became much slower in those works after 1950, when his health started to decline.
B-B-BUT ANON...!
Nah, I appreciate you have your preference. I always forget how relatively fast Bohm's is. At three-and-a-half it's a substantial difference. Not even Janowski is that quick!
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>>129932794
>>129932834
correction: not a dreamy soundscape, but a nocturnal adventure*
That wording works better, lol.
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>The TC Top 200 Recommended Post-1950 Works List
Well? How many have you listened to, anon? You *are* cultured and into classical music, aren't you? So you should be familiar, and if not, work on becoming familiar with these works.
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>>129933031
It really is astonishing that Ligeti's Requiem can be utilized so many times and have such a hold on pop culture, and yet you still hear something new every time you listen to it. There’s a 50 year graveyard of pieces that try to emulate Ligeti’s micropolyphonic music, but can you imagine being the first person to write like that? There was zero precedent for music like that before Ligeti. He expressed emotions that had never been expressed before in art. It’s also astonishing that after centuries of Catholic tradition, a Transylvanian Jew came along and beat every previous composer at their own game. Ligeti wrote the greatest requiem of all time despite viewing the religious tradition behind the form as, at best, a fascination. If anything, that distance is key: Ligeti understood Catholicism as a vehicle for complex horrors, which is the perfect foundation for a work informed by his experience during the Holocaust. I don’t think a true believer could have done that as effectively.
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Strauss' Elektra is a real kick in the ass. In a good way!
https://www.youtube.com/watch?v=vrN3a--lvP8&list=OLAK5uy_kj08xPEjCFhIA MPuZVtpLKdp4rfUMK4MA&index=1
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Mussorgsky
https://www.youtube.com/watch?v=Gap4MNSlJLI&list=OLAK5uy_kxfBOTT3knP_l GECvfWrr_29gYttpAv18&index=19
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Swiss cheese pussy kept a man sane
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>mfw composers don't write poetry for their compositions to explain the meaning of them
>mfw other composers don't write masterpieces they immediately forget about only to be reminded by a pianist playing it in the other room
>mfw germcels can't write erotic music
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>Baroque is King
>Renaissance is queen
Is there a more beautiful feeling than the ecstasy and spiritual renewal composers like Bach, Zelenka, Vivaldi, Morales, Lassus, Palestrina, and De Rore can give you?
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Mozart is chopped, listen to my nigga Haydn and his Spanish flavored sun kissed homie Boccherini
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>>129930452
Listened to William Walton's Cello Concerto yesterday and can highly recommend it. Written in 1957 but it's a very romantic piece. If anyone can recommend their favorite recording(s) that would be great.
https://www.youtube.com/watch?v=FVO_CevHNnM
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>>129936510
probably this one
https://www.youtube.com/watch?v=R6p9u4gqzmE&list=OLAK5uy_nn7USfkLBeNrC OVnITalQX0gsJsBEplCQ&index=6
Alternatively, Yo-Yo Ma/Previn
https://www.youtube.com/watch?v=4wzDFAQFXyM&list=OLAK5uy_mTLOeRoZriHmt 7v2gF6iiJREADbbLJ5zI&index=4
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>mfw an opera singer says you're not meant to be able to understand the words when i can understand every word in old opera recordings
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>>129937938
That really happen? Makes me feel better about listening to Peter Grimes and not understanding a word.
>Peter Griiiimes!
>Peter Grimes! We-are-here-to-[gibberish continues]
or any other English language opera.
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So now that the dust has settled, we all agree this is the greatest recording of Beethoven's Violin Concerto, right?
https://www.youtube.com/watch?v=JFP1eqOviqk&list=OLAK5uy_kOGXRNBvHpyO4 JMdnph5G42E0hP5sLWes&index=1
Greater than Karajan/Mutter, greater than Bernstein/Stern, greater than Munch/Heifetz, greater than Cluytens/Oistrakh, greater than Steinberg/Milstein, greater than Haitink/Szeryng, or whatever other option, despite these and many others being great and worthwhile.
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>>129932816
Also, if you do make a list, I should warn you of the power and responsibility you wield, for whichever pieces you put in the top tier will forever imprint themselves onto my subconscious, and for the rest of time whenever I listen to Rachmaninoff's Preludes or Etudes and get to those specific pieces, my mind will pay closer attention and most likely react, "huh, these are the best ones"
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now playing
start of Mendelssohn: String Quintet No. 1 in A Major, Op. 18, MWV R 21
https://www.youtube.com/watch?v=30r-OgZRAkY&list=OLAK5uy_nIVkQOax9mUTL t2dmZrg0tjMeuWEIrTdY&index=2
start of Mendelssohn: String Quintet No. 2 in B-Flat Major, Op. 87, MWV R 33
https://www.youtube.com/watch?v=RkfTRHm3cL8&list=OLAK5uy_nIVkQOax9mUTL t2dmZrg0tjMeuWEIrTdY&index=5
https://www.youtube.com/playlist?list=OLAK5uy_nIVkQOax9mUTLt2dmZrg0tjM euWEIrTdY
>The Doric String Quartet is firmly established as one of the leading quartets of it's generation, receiving enthusiastic responses from audiences and critics around the globe. Following their acclaimed recordings of Mendelssohn's string quartets, here they are joined by leading violist Timothy Rideout for this album of his two string quintets. Mendelssohn's two String Quintets were written at the beginning and end of his short but remarkable compositional life. No 1 was written in 1826, shortly before the Overture to 'A Midsummer Night's Dream', when Mendelssohn was just seventeen. No.2 was written in 1845, when he was thirty-six, a year before the premier of Elijah and just two years before his death.
Much like Mendelssohn's charming two cello sonatas, I often forget these two string quintets exist, which is a shame because they are some of the finest in all the chamber music repertoire. I also often forget about his two piano concertos but they aren't really worth remembering lol.
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>>129938075
That sounds discouraging. Our tastes might not align and I hope you're not missing out on op.15 and op.32 nocturnes because I ranked them lower compared to op.62 and op.55 that would be a crime.
However I appreciate your trust and I shall make one for preludes.
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Boccherini (underrated)
https://www.youtube.com/watch?v=0VPz1jquFmo
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>>129940740
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>>129940748
Dogma should be defensible
Ritual should be repeatable
Liturgy should be legible
Belief should be beautiful
What fulfils these conditions in the decadent modern world in which "God is Dead"? Answer: the holy poetry of Richard Wagner and his "Sacred Festival Stage Play" which transforms and supersedes religion.
https://youtu.be/yF0pwSC7qWg?list=PL_Cf5Xxn5OZY1gE9zsWHAjXz6MVz9IZYS
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I'm the Meistersinger
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So I felt like listening to Mendelssohn's 3rd and 4th, and I searched on Amazon for a new recording, and instead what I found was a new Nelsons' Mendelssohn set, that not only includes the symphonies, but Elijah and Paulus as well!
It doesn't appear to be on YouTube Music yet so I can't link or listen, but I am very excited, should be great. About time for Mendelssohn's oratorios get some of the renown they so rightfully deserve.
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Mozart
https://www.youtube.com/watch?v=uodyjwSpDus&list=OLAK5uy_lWOSsQvOQt0Q6 Ddfgmmbdn9suFfX8uRig&index=1
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>Peter Schreier
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Peter Schreier and Andras Schiff performing Schubert lieder
https://www.youtube.com/watch?v=sbpP-U8ChnI&list=OLAK5uy_nKDhTYSFX5X_T 8EiGFAUiYLd25MPTZGds&index=1
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In case any newbies are here, this is the essential set to have for Brahms' string quartets/quintets/sextets
https://www.youtube.com/watch?v=P7gd54SVp-Y&list=OLAK5uy_k6DH3crcyUpM9 iXdk6Qr340W8AIk2frUk&index=20
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>>129942842
>but I am very excited, should be great
Why? Nelsons is mid as shit.
>>129943137
A bad conductor and orchestra can be saved by great singers, but a great conductor and orchestra cannot save a performance tainted by terrible singers.
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>>129943812
>>129944120
I listened to and quite enjoyed this recording last night, in which I found the conducting to be the star of the show. Granted, I may be biased because I do enjoy modern opera/Wagnerian singing, unlike most here.
https://www.youtube.com/watch?v=2nguaBg1GYs&list=OLAK5uy_k93gZdsQpS16S HApqUgzPKJ6gWrDq2iXg&index=4
https://www.youtube.com/watch?v=Px7_Lz2MjLs&list=OLAK5uy_k93gZdsQpS16S HApqUgzPKJ6gWrDq2iXg&index=21
https://www.youtube.com/watch?v=MGtazruZsHI&list=OLAK5uy_k93gZdsQpS16S HApqUgzPKJ6gWrDq2iXg&index=29
https://www.youtube.com/watch?v=2VBGYptUCcw&list=OLAK5uy_k93gZdsQpS16S HApqUgzPKJ6gWrDq2iXg&index=33
https://www.youtube.com/watch?v=efamvAFTtdo&list=OLAK5uy_k93gZdsQpS16S HApqUgzPKJ6gWrDq2iXg&index=53
I mean it's not a 10/10, but a 7.5 or even 8 I'd be happy to revisit in the future? Sure.
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>>129944602
You have to be into opera, though even if you aren't, his overtures and preludes are still very good. Anyway, the main impetus for his discussion here, beyond the love of his music many of us have, is that there's a lot of things to discuss -- various recordings, the state of modern opera singing, the plot, the man himself, the singers, the staging. Same reason we discuss Mahler and Bruckner more than we discuss, say, Beethoven, Brahms, and Mozart, because again, there's more interesting and divisive variety in the recordings to talk about.
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>>129944635
? It's the opposite. There's an edge, a poetic, delicate aggression. Makes it exciting and distinctive, yet without any loss of depth and three-dimensionality like certain some others who go for the aggressive approach. It's like Haitink but, instead of perfunctory and dull, with edge and guts.
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>>129944635
>>129944684
Try a couple of those links. If you still don't care for it, well, then, fair enough, this is why we have variety in recordings after all.
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>>129944787
Maybe I should have stated into opera/vocal (non-choral) music. Some people are utterly turned off by vocals in classical music. I used to be, I get it. But I suppose you're bound to find an exception or a work that awakens you to it. And I suppose Wagnerian singing is distinctive, so I can understand liking him but not, say, Puccini or Verdi or whatever, though I think it should mean you can at least get into the operas of Strauss and Mozart.
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Backhaus' Beethoven
11th, Op. 22
https://www.youtube.com/watch?v=7KejHnOzm8s&list=OLAK5uy_lERwjwx0bBOki 3BE8CqdGpNXNOkgmTAcU&index=37
12th, Op. 26 "Funeral March"
https://www.youtube.com/watch?v=oCJsrEQo6ag&list=OLAK5uy_lERwjwx0bBOki 3BE8CqdGpNXNOkgmTAcU&index=41
13th, Op. 27 No. 1
https://www.youtube.com/watch?v=6Zum0fmTg78&list=OLAK5uy_lERwjwx0bBOki 3BE8CqdGpNXNOkgmTAcU&index=45
14th, Op. 27 No. 2 "Moonlight"
https://www.youtube.com/watch?v=ziZv-gA5NzQ&list=OLAK5uy_lERwjwx0bBOki 3BE8CqdGpNXNOkgmTAcU&index=49
15th, Op. 28 "Pastorale"
https://www.youtube.com/watch?v=yeTZM52WsRA&list=OLAK5uy_lERwjwx0bBOki 3BE8CqdGpNXNOkgmTAcU&index=51
Love this cycle.
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>>129944989
>Brunnhilde
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>>129945065
>mfw there's already a Marvel "Brunnhilde"
The memes write themselves.
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>>129944684
>poetic, delicate
Nice way to say soft edged. There is nothing excited about this at all, the attacks of the strings are so legato laden that any sense of rhythm or drama is heavily undercut in the Act 2 drama. Moving on,
https://youtu.be/sgpQztiI0Us?t=197
Just listen to the end of the final scene where all hell is supposed to breaking loose. What an anti-climax. If I heard this in concert I would boo without hesitation. Where's my double forte? Where's the rhythmic gallop?
https://youtu.be/QZ0J249VoYQ?list=OLAK5uy_mVFJ0IchfokdbCO9sxf1kiToxrcX jidmQ&t=1
https://www.youtube.com/watch?v=vfWPVo28-oU
Even Levine's, which is a cycle I really don't like, gets this correct:
https://youtu.be/2lUOwmmaOKY?list=PLdY1CsVLZQ3W5JzWDYJphEL9TU__ZkE-r&t =865
Most of the major ones mog Young here. Her conducting is boring as shit.
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>>129945109
also the decision to underplay the rhine/water motif (portrayed here with arpeggiated strings/winds) while bringing forth the curse motif more to forefront seems like seriously bad judgement. It's okay to bring it to the front a bit at first, but the audio/visual depiction of Hagen getting 'dragged' underneath the water to his death is totally lost here, while in you instantly tell what's going in Bohm's. you can really hear the Rhine "eating" up Hagen whole
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>>129945109
>If I heard this in concert I would boo without hesitation.
kek
Pull a Boulez and shout "Merde!" ?
Well, I appreciate you giving it a try and giving your input. Maybe my standards are low because the last two cycles I listened to were Mark Elder and Thielemann, both of whom had very, very safe conducting, so whatever perceived edge in Young's is mostly there by comparison. I still maintain it's solid though. Don't worry, Bohm's will be the next I listen to. It'll be my first re-listen to it.
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>>129945243
>>129945275
There's only like 130 of them at most
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>>129945243
Keep in mind the leitmotifs don't necessarily need to be consciously recognized. They accomplish their emotional, musical effect in isolation too, ex. the youthful adventurism of Siegfried's or the wise gravitas of Wotan's.
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now playing
start of Dvorak: Symphony No. 7 in D Minor, Op. 70, B. 141
https://www.youtube.com/watch?v=Vvl1ryLY8Kk&list=OLAK5uy_naLzkTnBNK9jT tSe74pP2bqnjvPe0bREw&index=10
start of Dvorak: Symphony No. 8 in G Major, Op. 88, B. 163
https://www.youtube.com/watch?v=9J_t1OmrY_A&list=OLAK5uy_naLzkTnBNK9jT tSe74pP2bqnjvPe0bREw&index=15
start of Dvorak: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World"
https://www.youtube.com/watch?v=y4na7pOt2cY&list=OLAK5uy_naLzkTnBNK9jT tSe74pP2bqnjvPe0bREw&index=19
https://www.youtube.com/playlist?list=OLAK5uy_naLzkTnBNK9jTtSe74pP2bqn jvPe0bREw
>Sir Colin Davis's recording of Dvorák's Symphony No 9 was the first title recorded and released on LSO Live, immediately establishing the label's international reputation. In celebration of it's 25th anniversary, LSO Live presents a remastered edition of Dvorák's Symphonies Nos 6-9, recorded with Davis in the label's early years. As one of the leading figures of nationalism in music, Dvorák's symphonies exude the essence of his Czech homeland. The influence of his native Bohemia shines out from every one of the symphonies, which are full of drama and laced with rich folk melodies. These recordings are paired with works by Smetana and Janácek, who also drew on the mythology and pastoral beauty of their beloved country. Janácek's "Sinfonietta" showcases the Czech musical tradition through dancing strings and celebratory brass, while Smetana's six tone poems that form "Má vlast" depict aspects of Czech myth and natural wonders, including the river Vltava as it flows through the countryside and into Prague. The release of this album in 2024 also marks the 200th anniversary of Smetana's birth, the 120th of Dvorák's death, and the 170th of Janácek's birth.
I'd be surprised if there was anyone who didn't like Dvorak's final three symphonies.
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>Arabella has gradually become the most popular of Strauss's operas after Der Rosenkavalier and it is not really surprising.
huh who would have thought
https://www.youtube.com/watch?v=-JZh2N0f8wA&list=OLAK5uy_n26trW9FYPfxd WPTFOhQBPqCLwctj4L0g&index=1
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What is similar to this?
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>>129946012
If you're specifically referring to the variations structure, then Beethoven's Diabelli Variations has the exact same structure, though doesn't quite sound the same as it's from a different era.
https://www.youtube.com/watch?v=PebmYKm-BE4
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>>129946081
Meant for this too >>129946057
>>129946079
Thanks
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Wherefore does the enchanted forest sing its secrets to me? It tells me now that I am the king of the once and future world. The lark trills, the eagle screams, and the giggling nymphs bathe in the supernaturally blue waters of the Oracular Pool. I step forward to receive their vision, and lo! Ancient dragons, fairy castles! The yodelling bard walks a weary road, calling out for knights of faith to hear his melancholy and redeem the tragic renunciate with a sword of justice! The whole world is lost and reconquered before my very eyes.
Alas, it is over too soon! This is but a foretaste of what awaits the pilgrim soul when he surrenders to the genius of Richard Wagner.
https://youtu.be/iXUjuxF2oIY
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>>129948257
Listen. This is /classical/, not "plebbit". We only discuss patrician refined music here. You are on the wrong bus stop, but instead of being a civil individual and leaving, you are instead creating a "ruckus" for the other waiting passengers. https://www.youtube.com/watch?v=VMw0EjLFPXw Wagner showed us the dangers of being a "faustian" man, not with long essays and tedious literature, but with elegant sound and smooth instrumentation. You are the devil, "Mephistopheles" trying to seduce us poor souls into degeneracy.
W.
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let's get Choral
https://www.youtube.com/watch?v=1a_v7lGgSCc&list=OLAK5uy_nbF7vAcMnuyM5 ZxbqkSMiRwxAcp3arSvY&index=57
Eight hours of Schubert's secular choral music performed by the talented Arnold Schoenberg Choir, why isn't this recording in your library already!?
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speaking of Schubert, now playing, with the new Eric Lu release
start of Schubert: 4 Impromptus, Op. 90, D. 899
https://www.youtube.com/watch?v=1F2UudZ_6Uk&list=OLAK5uy_nzMAUWmgRtYuX U2XTYxaNg_4Ypftw9SLU&index=2
start of Schubert: 4 Impromptus, Op. Posth. 142, D. 935
https://www.youtube.com/watch?v=nHY-W8oO8DE&list=OLAK5uy_nzMAUWmgRtYuX U2XTYxaNg_4Ypftw9SLU&index=5
https://www.youtube.com/playlist?list=OLAK5uy_nzMAUWmgRtYuXU2XTYxaNg_4 Ypftw9SLU
>Produced during the astonishingly fruitful year before the composer's death aged 31, the Impromptus are short, lyrical miniatures of contrasting mood and character which create a musical narrative whose imaginative reach transports the listener far beyond the 19th-century drawing room. They have been core components of Eric Lu's repertoire for several years, but the pianist decided to wait before recording them. "I have a real sense of a journey with these works, in particular with Op.90, having lived with them intensely in preparation, on stage and, finally, in the recording studio," he says. "For me, the Impromptus are some of the greatest jewels in the piano literature. They are magnificent, deep pieces of music, and the very essence of Schubert."
Schubert's Impromptus might be the closest thing we have to heaven on earth.
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If only recorded audio media existed hundreds of years earlier, if only for the benefit of all the interesting and amusing anecdotes we'd have about certain great figures, particularly musicians and composers.
>It is said Scriabin wore out hundreds of LPs of Liszt's Harmonies poétiques et religieuses and Sonata in B minor.
>Napoleon famously played Beethoven and Mozart for his troops before every battle.
>According to many, Bruckner listened to his Wagner records from the moment he woke up until he fell asleep with the LP still playing on the record player. He listened to Wagner while he ate, composed, and even bathed.
stuff like that
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>>129948588
>While listening to a recording of Beethoven performing his own Ninth Symphony, it is said Furtwangler hastily stood up, wrestled the LP from the record player, and angrily snapped it in half, at which point he furiously proclaimed Beethoven did not have the slightest clue as to how to perform his own music.
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>>129948588
>On many nights, Rachmaninoff could be heard through his bedroom door listening to recordings of Chopin. On occasion, he would exclaim, "why can't I compose as well as this!?" followed by the sound of an object being thrown against the wall or crashing to the floor.
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>Back in 2013 Giovanni Antonini embarked on Haydn 2032, where, in time for the 300th anniversary of his birth, he would record with the two orchestras he is most associated with all of Haydn’s Symphonies and major choral works interspersed with pieces mainly by the composer’s contemporaries. As of June 2025, they had reached volume 17, Per il Luigi.
Has anyone heard any of the recordings in this series? Here's the newest one, Vol. 18, Il maestro di scuola
https://www.youtube.com/watch?v=3gk3uLOLrk8&list=OLAK5uy_lxlERiqoEyUT- y-RnaKed9qJ36ggOAwLk&index=1
What's impressive is it appears the conductor still finds time to record other music too.
Here's the official site of the project,
https://www.haydn2032.com/en/
I've never been the biggest fan of Haydn's symphonies, much less the pre-London ones, but this is pretty cool, and figured someone here might find this of interest.
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>>129949071
>"why can't I compose as well as this!?" followed by the sound of an object being thrown against the wall or crashing to the floor.
That would be the reaction of any composer at all listening to Chopin, given that they're honest to themsleves, tbf.
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Preservation is not the tradition of ashes but the fire of maintenance
Eat raw meat
Dissent against the system
Find on the grail
Focus your Vril energy
https://youtu.be/kJSLxJ2wA_Y
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>>129952177
>Eat raw meat
>posts Wagner
Lol.
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>>129937224
Liked the first one by Steven Isserlis. Yo-Yo Ma has audio quality issues. Not surprising how young he looks on a cover.
Another question: is there some other piece featuring the first few solo cello notes? Tu-Tu-Tu-Tuuuuu:
https://youtu.be/R6p9u4gqzmE?t=10
He immediately starts playing with this melody making it way more complicated. But I definitely remember some other solo cello piece with this melody and it was more "static".
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>>129936510
https://www.youtube.com/watch?v=b15_UG6wJiQ&list=OLAK5uy_kmQYREyGf9rEf Ou3Efe58PmkFhjJlmtHg&index=5
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>>129953930
It's kinda reminiscent of the opening cello notes of
https://www.youtube.com/watch?v=oEulw62snSQ
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I asked my kitty who's her favorite pianist and she replied,
>ARRAUW!!!
https://www.youtube.com/watch?v=RTq0o2Ssp-c
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This recording is so perverse, in some states in the US, you can actually be arrested under obscenity laws if caught listening to it in public.
https://www.youtube.com/watch?v=rDlhFC4iOVY&list=OLAK5uy_kepvN7a8Q22NO jeSG1B-l0p194zEATOjQ&index=1
You would think the fact it is in English is the cherry on top of this perverse, indulgent sundae, but no, it's the fact that someone at Sony actually had the gall to put a picture of Bernstein smoking a cigarette on the cover of a performance of Bach's St Matthew Passion, one of the most popular sacred works in all the repertoire.
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Sibelius
https://litter.catbox.moe/hr9k4hipypg9i5zm.flac
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top twenty solo piano works of all-time, off the dome 4-11-26, no order!!
>Chopin - Nocturnes
>Chopin - Preludes
>Schubert - Impromptus D. 899
>Schubert - Piano Sonata 21, D. 960
>Beethoven - Piano Sonata 23, "Appassionata"
>Beethoven - Piano Sonata 29, "Hammerklavier"
>Beethoven - Piano Sonata 32
>Bach - Art of Fugue
>Bach - Goldberg Variations
>Bach - Well-Tempered Clavier
>Debussy - Preludes
>Liszt - Annees de pelerinage
>Liszt - Harmonies poétiques et religieuses
>Scriabin - Piano Sonata 5
>Shostakovich - 24 Preludes and Fugues
>Prokofiev - Piano Sonata 8
>Schumann - Fantasie in C
>Rachmaninoff - Etudes
>Chopin - Four Ballades
>Beethoven - Piano Sonata 30
honorable mentions from composers not mentioned: Grieg - Lyrics Pieces, Faure - Nocturnes, Ravel - Le Tombeau de Couperin, Brahms - Op. 118
Had to just barely cut Schumann's Kreisleriana (for Rach's Etudes) and Liszt's Sonata in B minor (for Scriabin 5)
Piano cycles are probably cheating, and someday when I'm feeling less lazy I'll probably make a list with singular pieces only, but not today, as I tend to view cycles holistically, ie Chopin's Nocturnes or Debussy's Preludes or Rachmaninoff's Etudes all might as well be one singular piece when I listen to them
https://www.youtube.com/watch?v=TvL1IWRwhC4&list=OLAK5uy_m_4n-q8buY0Uq pUfNZE6QCIKjtAMMN4wY&index=45
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>>129954478
I used to. Taking a temporary break. Most recently I got into vaping with those disposable ones you can buy at convenience stores and gas stations, and the dosage was so high it fucked up my mind for a bit, caused me to have permanent anxiety. Took a while for my mind to return to stasis. So if I do get back into it, I'll smoke cigarettes again.
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>>129954478
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>>129954661
Holy hell, all this time I thought he had a cigar in his mouth in this picture. Now I'm discovering it's not only not a cigar but a kazoo, he's also holding a cigarette between his fingers. kek, what a trip. From the thumbnail on a quick glance, the cigarette looks like smoke from a cigar.
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>>129954478
>>129954589
Do you, anon?
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>>129954778
>And only missing Screebs Preludes.
Charming work but top 20 of all-time? Really? I'm not sure it'd make my top 50 lol. Among his cycle works, surely his 12 Etudes, Op. 8 is better? I never listened to his Preludes too often I guess.
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*slays the techno-dragon in one try*
ez
https://litter.catbox.moe/esrxhc.flac
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If there is no Chopin, then there is no god.
If there is a god whose name is not Chopin, then he worships Chopin.
If there is no god, then we should start building temples to Chopin.
If there is a god, his name is Chopin.
https://www.youtube.com/watch?v=NyBLGnSMZ-s
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Chopin is the best but he was a cuck and faggot.
That gay ass shit he wrote to Titus and fucked George Sand.
Anyways the Argerich recordings are the definitive ones.
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>>129930452
Mahler 3 live, conducted by Zander:
https://www.youtube.com/live/yrTIISOvfoM
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wtf why did no one inform me Delius was a huge Nietzsche fan?
https://americansymphony.org/concert-notes/mitternachtslied-zarathustr as-1898/
says he has some lieder, and a,
>By then Delius was contemplating a definitive and much-extended setting of Nietzche’s words which was to become his A Mass of Life. An elaborate choral movement for women’s voices and orchestra had already been completed by May 1904 and later that same year, during a working holiday spent with Fritz Cassirer (who had recently introduced Delius’s opera Koanga in Elberfeld), a further selection of passages considered suitable for musical treatment had been chosen from Nietzsche’s book. Intensive work then continued until the bulky score was completed by Autumn 1905. At its close the music of the Mitternachtslied of 1898 was incorporated in its entirety, but women’s voices were then added to the choral sections and five bars of the original quiet ending were deferred by the introduction of an entirely new final episode for the whole vocal and instrumental forces.
https://www.youtube.com/watch?v=ynioy9j-PtY
This is glorious! I might shill this work for the rest of my days.
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Luigi Boccherini - Divertimenti Op 16 (Nos 1, 4 & 5), 1773
https://www.youtube.com/watch?v=iCHViqDGASY
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>>129958835
Well that's not very nice about Boccherini
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>>129959040
Won't stop me from sharing it
https://www.youtube.com/watch?v=azFeKk3B2Zo
https://www.youtube.com/watch?v=xvfLPD2gIec
I want the Larghetto to play as I die
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You have 10 seconds to explain why aren't you listening to Cipriano de Rore
https://www.youtube.com/watch?v=Nd5K2AQvOsg&list=RDNd5K2AQvOsg&start_r adio=1
https://www.youtube.com/watch?v=dJHTtcaEDXM&list=RDdJHTtcaEDXM&start_r adio=1
https://www.youtube.com/watch?v=A87M7xkmNBA&list=RDA87M7xkmNBA&start_r adio=1
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>>129958826
It was anon, it was ;)
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now playing
start of Weber: Piano Sonata No. 1 in C Major, Op. 24
https://www.youtube.com/watch?v=zbBkv1R3HQ0&list=OLAK5uy_nOcDx5MeiMduw Kvti-P3MkvMKIEsN92Ao&index=2
start of Weber: Piano Sonata No. 2 in A-Flat Major, Op. 39
https://www.youtube.com/watch?v=Vtx6CsKknTA&list=OLAK5uy_nOcDx5MeiMduw Kvti-P3MkvMKIEsN92Ao&index=6
Weber: Aufforderung zum Tanz, Op. 65
https://www.youtube.com/watch?v=yI3d88PwUx4&list=OLAK5uy_nOcDx5MeiMduw Kvti-P3MkvMKIEsN92Ao&index=10
start of Weber: Piano Sonata No. 3 in D Minor, Op. 49
https://www.youtube.com/watch?v=mrBb3T7UP-E&list=OLAK5uy_nOcDx5MeiMduw Kvti-P3MkvMKIEsN92Ao&index=11
start of Weber: Piano Sonata No. 4 in E Minor, Op. 70
https://www.youtube.com/watch?v=91yB2vGASfk&list=OLAK5uy_nOcDx5MeiMduw Kvti-P3MkvMKIEsN92Ao&index=13
https://www.youtube.com/playlist?list=OLAK5uy_nOcDx5MeiMduwKvti-P3MkvM KIEsN92Ao
>Today, Weber is best known for his operas but he was also a pianist. He wrote a sizeable body of piano music, at the center of which is his four sonatas. Perhaps the first truly Romantic piano sonatas, they influenced the next generation of German composers such as Mendelssohn and Schumann. Though these works are large scale and virtuosic, they are rarely recorded. The program also includes the once hugely popular Invitation to the Dance, a work that has become better known in the orchestration by Berlioz. Performed here by Garrick Ohlsson, these acclaimed performances were originally released on Arabesque.
Surprised I didn't know these existed. Anyone a fan?
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>>129958207
read through the comments and saw this one,
>Saw this to hear Lisa Davidson. T & I is as you say, a fairytale. Which means that a human dynamic is elevated into the realm of myth, and in this case that transition is accomplished by magic. Whatever the love-death theme meant to Wagners contemporaries (it apparently fascinated them) someone can maybe even today find that love has a transcendent aspect - or at least be temporarily persuaded by Wagner, because that is what his music relentlessly drives towards. I ignored much of the swirling stagecraft going on, but have to admit I got truly distracted when it turned out that what the production had driven towards was delivering T & I's love child to us all, so it could be passed on to an elated King Mark. This would make their deaths trivial cases of poor healthcare, wound care and childbirth respectively, and made it quite unclear what Isolde was standing in her tube singing about. But the singing was fine.
kek that's such a modern type of ending
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You know, my world was shattered a little when I learned that all the keys are literally the same and transposing music doesn't affect the relationship between the notes in any way whatsoever (within equal temperament of course), I assumed vocal works would sound bad/wrong if transposed to match a singer's range instead of being played at the original pitches, but no... its all the same lol
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>>129961951
Cuuuuuuuuuuuuuute :3c
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>>129962057
https://www.mso.org/concerts/wincor-conducts-shostakovich/
>WEBERN - Passacaglia
>Schumann - Piano Concerto
>Shostakovich - Symphony No. 1
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>>129961498
The keys are not the same on string instruments, e.g. on the violin G and D major have a richer sound than the other keys because those are the two low open strings on the violin. The further away you get from G and D, the less rich the violin sounds because farther keys don't cause those two strings to resonate as much. The same applies for Violas and Cellos, expect that their two low open strings are C and G.
Further, any instruments that are denoted as "in a key" in the score, e.g. "Clarinets in Bb" sound richest in that key.
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>>129961498
You're partially right that keys don't matter *that* much, many pieces can be transposed without much difference, but timbre does give certain keys its characteristic sound, great orchestrators and pianists kept that in mind. Transposing an entire Mahler symphony could go wrong in many ways (even the instrumental symphonies), not just in terms of technique/performance, but the overall effect and atmosphere.
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You must avenge Berlioz
https://youtu.be/KHuWqAdPZrM
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Sharing this recently released recording of solo piano music because I think a few people here will really like it. Just peep the opening piece and you'll be hooked!
https://www.youtube.com/watch?v=HaAfTc66i9Q&list=OLAK5uy_nwJFyX0gxO7a7 s3m-rGeLrurMHJgT-gqI&index=2
and of course the opening movement to the titular piece
https://www.youtube.com/watch?v=M2Yr3ZObEiA&list=OLAK5uy_nwJFyX0gxO7a7 s3m-rGeLrurMHJgT-gqI&index=6
>Forgotten Melodies, Alexander Malofeev’s debut for Sony Classical, features music by four composers who ultimately spent the rest of their lives away from their birthplace. His curation of works by Glinka, Glazunov, Medtner, and Rachmaninoff reflects an interesting idea of nostalgia — not necessarily for a homeland, but for what he describes in the booklet as a kind of lost dream world.
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Boccherini and Vivaldi today
Scriabin, Bartok and Ginastera tomorrow
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>>129964153
refer to >>129952343
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now playing
Scriabin: Vers la flamme, Op. 72
https://www.youtube.com/watch?v=f9t6macpOko&list=OLAK5uy_mb_WfS0l5k0IJ qCNmL9otkOsFqwNTkgOk&index=2
start of Scriabin: Piano Sonata No. 4 in F-Sharp Major, Op. 30
https://www.youtube.com/watch?v=ic17q_r7Ch8&list=OLAK5uy_mb_WfS0l5k0IJ qCNmL9otkOsFqwNTkgOk&index=3
Scriabin: Fantaisie in B Minor, Op. 28
https://www.youtube.com/watch?v=nHS4MChCQMs&list=OLAK5uy_mb_WfS0l5k0IJ qCNmL9otkOsFqwNTkgOk&index=7
Scriabin: Sonata No. 10, Op. 70
https://www.youtube.com/watch?v=SQwZZAce_E0&list=OLAK5uy_mb_WfS0l5k0IJ qCNmL9otkOsFqwNTkgOk&index=19
+ a bunch of assorted preludes, etudes, and poemes
https://www.youtube.com/playlist?list=OLAK5uy_mb_WfS0l5k0IJqCNmL9otkOs FqwNTkgOk
>Nineteen years after his first recital devoted to the music of Alexander Scriabin [BIS-1568], Yevgeny Sudbin returns to the works of this eccentric Russian composer with a new recital that brings together pieces composed at various points in his career. Of his special relationship with this composer, Sudbin writes: 'I simply cannot think of any other composer who consistently brings out such a primordially raw and physical reaction in me and, with time, his grip has only intensified on me.'
>Arthur Rubinstein once said that 'Scriabin's music is like a narcotic. It is so intoxicating that it can become dangerous', to which Sudbin adds by way of precaution, 'enjoy responsibly at your own peril.'Carefully prepared by Sudbin, the programme reveals Scriabin's stylistic evolution, from his beginnings when he was still influenced by Chopin and devoted to small forms, through his middle period where the rich, late-romantic idiom is just beginning to cross into darker, more complex realms, on to his late period in which, in Sudbin's words, 'one sometimes feels too close to the edge of insanity'. In his latter works, Scriabin indeed seems to push music to the expressive limits in order to create a climate of spiritual ecstasy.
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Here's a kinda cool recording I found that came out recently, centered around Chopin's music.
https://www.youtube.com/watch?v=pkcvk1m6QDA&list=OLAK5uy_nJgBOf26DTlQn PmMQdVLRRABTNQ6b2EI4&index=2
>Following the success of his acclaimed Sony debut Human Universe, Hayato Sumino—known globally as ‘Cateen’—returns with Chopin Orbit, a conceptually rich and emotionally resonant album that places the music of Frédéric Chopin at its center.
>Chopin, Sumino’s favorite composer, has long been a gravitational force in his artistic life. That connection was first spotlighted during his standout performances at the 2021 International Chopin Competition, and now takes full flight in Chopin Orbit.
>This unique collection features Sumino’s original compositions inspired by Chopin’s masterpieces, not as imitations but as creative echoes—melodies and motifs reimagined through the lens of a 21st century classical artist.
>Included are pieces such as Chopin’s Polonaise-Fantasie op. 61, Nocturne in C-sharp minor, Berceuse, and Raindrop Prelude, alongside Hayato’s original works White Keys and Post Rain. Also featured are works by Thomas Adès, Leopold Godowsky, and Leoš Janáček—highlighting Chopin’s influence across generations
So a mixed program centered around Chopin's solo piano music, containing some original compositions by the pianist, and assorted pieces by other composers like Ades, Godowsky, Janacek. The uber-pretentiousness of being known as "Cateen" aside, this seems pretty neat!
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>>129945065
old hat
https://www.youtube.com/watch?v=nPYM5d-sWdc
https://www.youtube.com/watch?v=7K0dK6FMrQM
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>>129966079
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Busoni
https://www.youtube.com/watch?v=LxP3PIJw10M&list=OLAK5uy_mRcCgRCN7Iw69 NHi2_N8M8ag93odra4mA&index=9
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>>129967310
>In politics, a reactionary is a person who favors a return to a previous state of society which they believe possessed positive characteristics absent from contemporary society.
Cant tell if you are trolling or not
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>>129966705
Ok I like this album too but really didn't care for how soft he played the Raindrop Prelude.
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>>129966165
here's two nice orchestral versions
Aida G
https://www.youtube.com/watch?v=vTFngQBB3uQ&list=OLAK5uy_lkFUhRHDzw-aJ SzYw_T8SUKYR8pCCnpdc&index=13
Renee Fleming
https://www.youtube.com/watch?v=22It9TlhcS0&list=OLAK5uy_mDjj5seoz0aM3 Z8UMqELMrqYe0bWno8tQ&index=10
two for piano
Kathleen Battle
https://www.youtube.com/watch?v=NacE6oV_LHg&list=OLAK5uy_kh93owDo-3Zc2 mFQpYMDMihSa7IMLrHog&index=11
Kiri Te Kanawa
https://www.youtube.com/watch?v=er-bwkLjj5Q&list=OLAK5uy_n3G9ZPGoT015E 8oiPpIXa9M1Sbo6phVvw&index=7
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This artwork makes me laugh so fucking hard
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>The Third Symphony is Mahler’s hymn to the natural world and his longest work. It was largely composed in the summer of 1895 after an exhausting and troubling period that pitched him into feverish creative activity. Bruno Walter visited him at that time and as Mahler met him off the ferry Walter looked up at the spectacular alpine vistas around him only to be told: "No use looking up there, that’s all been composed by me."
what a god
>Mahler was inspired by the grandeur around him at the very deepest level of feeling and also by visions of Pan and Dionysus. In fact by a sense of every natural creative force in the universe infusing him into "one great hymn to the glory of every aspect of creation", or, as Deryck Cooke put it: "a concept of existence in its totality."
https://litter.catbox.moe/wo9r56oo9epz9rx4.flac
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>catbox.moe has a 200MB file size upload limit
>absentmindedly click on a 400MB file yesterday, realize my mistake right before it's about to end so refresh the page so it'll cancel
>ever since then error message pops up for any uploads: "Anon Uploads are temporarily paused due to abuse! Will return shortly'
oh god, it was an accident, I'm sorry! there wasn't a cancel button, I didn't know refreshing would break the system!
or is this just a wild coincidence?
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now playing
Beethoven: Egmont, Op. 84: Overture
https://www.youtube.com/watch?v=dbn0cV5cDSU&list=OLAK5uy_ktR8PHYURQd6p Yc8AK8hRpwI6Kl2LDc0E&index=2
start of Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral"
https://www.youtube.com/watch?v=uomoaqP92JY&list=OLAK5uy_ktR8PHYURQd6p Yc8AK8hRpwI6Kl2LDc0E&index=2
https://www.youtube.com/playlist?list=OLAK5uy_ktR8PHYURQd6pYc8AK8hRpwI 6Kl2LDc0E
>This is simply one of the greatest, most deservedly legendary recordings of Beethoven's 9th Symphony ever offered to the public. Tempos and dynamics vary widely, with Fricsay always considerate of the works many thematic challenges. His handling of the subtle rhythmic gradations of the Molto vivace is peerless and prepare yourself for one of the most exhilarating Allegro assai finales this side of Toscanini. With a line up of soloists including Irmgard Seefried, Maureen Forrester, Ernst Haefliger, and Dietrich Fischer-Dieskau all in their vocal prime as well, it simply doesn't get any better than this. Deutsche Grammophon's rich well-balanced sound is very good for it's vintage. No matter how many performances of this frequently recorded masterpiece you may already own, don't miss Fricsay's!
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>>129971583
"no"
>>129971655
shut up fag
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Strauss
https://www.youtube.com/watch?v=ZG__2DugqME&list=OLAK5uy_kFSN6lQzLwYGh pPwRsXZeQWgY4ipJlUMI&index=1
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>>129971558
I think Gothic aesthetics are a meaningful category in Western European culture, but the claim that music is uniquely capable of expressing them always struck me as poorly justified and too wrapped up with German nationalism.
>>129972141
It was just artificially buoyed up late 2025 and early this year by a couple spammers. This is closer to the average over the past five years.
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>>129930452
Haydn's Creation - "have your Cate and Edith too" edition
Edith Mathis (soprano), Catherine Denley (mezzo-soprano)