Thread #219545987
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Arthouse & Classics & (K)(C)ats
Pussydition
>QotD
Favourite Byron joint?
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Queen of /film/
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I could've zased her
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I have yet to marathon Valerie and Her Week of Wonders (1970). What will I and my autistic zoomette friend who only likes horror and sex movies because everything else bores her will think of it?
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>>219547278
>with a rambling
This one?
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>Sion Sono’s “The Man from Goodbye” has been selected for the 79th Cannes Film Festival in the Un Certain Regard category.
>Described as an autobiographical account of his defamation suit against Yuki Matsuzaki shot on an iPhone 16 Pro. Stars Teruyuki Kagawa as Sion Sono.
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Zion Sono
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We're all playing his sexy, big-titted gravure idol wife here.
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>>219545987
C U T E
U
T
E
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>>219550728
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>>219550728
As we departed, I could not help but marvel.
“Holmes,” said I, “that an empty toilet should speak so eloquently—!”
“My dear Watson,” he replied, lighting his pipe, “there is nothing more deceptive than an absence. It is, after all, far easier to overlook what is not there than to explain why it should not be.”
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>>219549418
sang this in my head! whip it on me Jim
>>219551640
yes. yeess. yeeEEESSS.
>>219545987
any ron jeremy picture (they're by ron sdfdshsfh)
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>>219553207
It's already the full package
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Tea status?
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>>219554144
*smooch*
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>>219555918
but speaking it tastes SOOO GOOD
>>219554144
all expired early this year coz i forgor to brew it eheh... I had oolong, some blacks, organic green, kombucha,..
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>>219555918
Nah. When French people sing, that's literally the only time you can get them to pronounce their syllables properly. When they talk regularly they just mumble and rush and completely swallow every other word.
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>>219547278
Why do jews love AI slop so much?
>>219547668
Holy based French, we are so fucking back
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>>219556977
>>219557024
I will now never watch Godard
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>>219557247
For what it's worth, he renounced all of this later on in his career and disowned his Maoist era films.
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>>219547668
Fuck you
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>>219555723
>>219557299
Wow, I LOVE her jackets!
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A challenger approaches...
>>219557382
The fact that he had a pretty ugly divorce with a certain actress may have had something to do with it (and also why it took ages for it and some other films he made around that time to be restored and re-released). Just an educated guess, though.
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Cannesbros..
https://www.worldofreel.com/blog/2026/4/9/bucking-fastard-1
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>>219558109
Based Cannes feeling the Stipetic sister simianlove this year.
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>Cannes
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I liked project hail mary to be fair
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"There was theatre (Griffith), poetry (Murnau), painting (Rossellini), dance (Eisenstein), music (Renoir). Henceforward there is cinema. And the cinema is Jerry Lewis."
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>>219560139
>>219560921
Is that the one where he tries to kill himself at the beginning and keeps failing?
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>>219556492
>>219557213
You got me scouting like Jean-Luc Brunel and I'm pleased to announce that my keen eyes bore fruit.
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>>219561578
>mfw the pits match the drapes
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>>219562549
I've been to Hell and back, and back to Hell…and back.
Goodnight /film/.
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Watchin' Urban Cowboy tonight strictly for all-American brunette beauty Debra Winger.
>>219562549
Still making shit up hoping it'll stick, I see kek
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sup' bros, smoothhands here
watched the notebook yesterday
for some reason previously i thought this movie was about a time bending romance between two people that live in the same lake house year apart that wrote love notes to each other in a notebook that would be magically transported in time
turn out it was a really run of the mill romance reminded me a lot of big fish with the framing and setting
why this idea was in my head i have no idea.. is there a movie like this?
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>think of it as a visual poem bro
>haha bored?? thats the whole point bro
>it literally isnt supposed to make any sense
>its up to interpretation bro
>yeah bro THE VISUALS dude
>yeah bro you jus make up your own meaning in your own head like a complete fucking faggot
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>>219563019
Cute granny!
We love our All American Sweethearts™ 'round these here parts.
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>>219570614
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>>219569661
Very true. You strike me as someone that enjoys the work of Carey Lowell…
Anyways, I finished the film and it ended up being pretty good despite leaning toward the longer, predictable side. I loved Winger's tomboy attitude, cute face, tiny braless chest, and unbelievably husky voice; even better, she's a member of The Tribe™! Travolta was considerably miscast though and pretty much every character portrayed was an asshole but hey, that's just life isn't it?
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Is there anyone who makes misanthrope kino without the gay moralizing like picrel
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>>219571326
To me the pacing didn't lose steam ever. I can say it has joined my little macmahonian canon.
>>219565180
You were thinking of Agresti's hollywood yarn The Lake House. Watched that shi 15 years ago, forgot all about it.
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>>219573134
Koji Wakamatsu. Secrets Behind the Wall (1965) is a prime example from the ones I've seen.
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Speaking of Wakamatsu, this was a pretty run of the mill biopic, decent but nothing special; can't imagine caring for this if you're not an Abe fan. My favourite part was Keiji Haino talking some major shit on his dead friend, kek.
Someone like Shindo would've made a much better film with the same source material.
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*hangs /film/'s wet laundry*
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>>219556977
>>219557024
this is your brain on hegel
dialectic materialism, not even once
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This is pretty fucking good, certainly ahead of its time. Holds up extremely well for a 1956 horror flick
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>Gregory Peck once told me a slightly rude story about Virginia Mayo - who played Lady Barbara Wellesley - when I interviewed him for television a few years ago. Originally it was to have been Margaret Leighton playing the part. She did a screen test that went to Jack Warner, and his one comment was, ‘She’s out, kid - no tits.' So they had Virginia Mayo instead. Margaret Leighton, this classical actress who spoke beautifully, was cast into the outer darkness because her chest wasn't quite big enough - you do need a hit of bosom for these bodice-ripping romances.
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Is Gun Crazy like 20 years ahead of it's time or something? Some of the scenes of this remind me of the beginning of Bride of Frankenstein where that lady gets thrown down the ladder where it feels like it's from a 1960s or later film.
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>>219538209
The beloved
https://www.youtube.com/watch?v=4bL2AlQLVsE
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>>219586164
>When I met John Ford for the first time he had a handkerchief that he used to chew and bite on, and the thing in the eye, you know. He was also just stepping out of the shower. The first thing he said to me - which I’ll never forgot - was, ‘I’ve heard a lot about you.’ So I said, ‘Mr Ford, I’ve heard a lot about you. I’m a great fan of yours.’ He said, ‘Yes, but if you think that I’m the sort of arty-crafty director who pokes the camera up the nostrils of the actors or between their legs, that’s not me. I shoot a picture the way I see it, the way I feel the camera move. And if I don’t like the script, I tear out the pages. If you understand that, I’m sure we’ll get on fine.’
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>>219587837
>Rossana Podesta, who was also the star in Helen of Troy, suddenly got a heart problem in the desert, like a heart attack, even though she was only a young girl. So the doctor sent her back to Italy to recover. Bob Aldrich said to me, ‘Can we shoot around her for five or six weeks?’ Well we did. Rossana came back to an air-conditioned trailer, but after two or three days in that terrible heat, she was ill again. So we packed up everything in Morocco and went back to Cinecitta in Italy where I had to rebuild a whole section of Sodom and Gomorrah outside Cinecitta. Luckily I found some sand dunes on the way to Fiumicino that looked like Morocco, so we filmed the rest there. Everybody said, ‘Why did we have to go to Morocco in the first place?!'
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>>219587882
shooting barry lyndon
> it’s all in Ireland. There’s a long story attached to that. I was so happy to find Huntingdon because it was built in the early seventeenth century, and although the windows were wrong, the correct ones were made at Pinewood and then shipped out. But Stanley didn’t like the people who owned Huntingdon because they were practising all sorts of strange rites and so he wouldn’t allow his daughters anywhere near it; he felt very uncomfortable. I told him I wasn’t going to find anything else so we at least had to shoot the establishing shot there. He left it to me and everything became a nightmare.
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>"Hammer!"
>Hell if I know why that was the first goddamned word that came out of my mouth. Even more of a mystery is why I hadn't said anything until I was almost five years old. My brothers and sisters and, above all, my mother, Rebecca, were very worried about my abnormal silence. They suspected I was mentally retarded, or, worse, just plain stupid. It was a joyous occasion for my entire family when I finally uttered those first two pugnacious syllables.
Fuller mentally retarded
>In the eighty years since that summer of 1917, I've more than made up for my belated introduction to talking. I'm a storyteller. My tales were usually drawn from my own experiences. Other yarns were adapted from newspaper articles printed under big, bold headlines. Many stories I concocted from imaginary situations dreamed up over the cranky keyboard of an old typewriter as I smoked a good cigar. Even when I made up my characters, they were emotionally honest. Whether my yarn involved a whore, a general, an informer, or a cop, I tried to write them real, not heroic, nor patriotic, nor lovable, but real, meaning true to their background and longings.
Fuller storyteller
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>>219586276
>Check out the 70's remake too, it's excellent.
Agreed.
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>>219588158
>We had a very limited budget and Tinto Brass was wonderful. He’d got me on the rebound from Barry Lyndon and he realised I had gone through absolute purgatory, so he was very sensitive about it. My sketches were a bit small - I was afraid to do big ones - but Tinto loved them. In fact, he kept all the originals. I only have a few bad photocopies. He came up with all these brilliant ideas for shooting. He’s an extraordinarily talented director, but he’s got this sexual obsession which is really unfortunate in some ways.
>He’s become associated with soft porn. But he’s actually a cultivated man. I've met him.
>Very cultured. In Italy it was cheaper to use real marble when we were doing a shiny floor than to do a mock-up, but of course nobody believed it at the time. I’d done it on Helen of Troy so I did it again for Salon Kitty. Tinto was fascinated by the actual marble floor so the officer skates along it in the scene. It was a brilliant idea
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I hope that zoomers never find out about this film because scenes like the letter are just like that Analog Horror bullshit.
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In Competition
Opening film:
LA VÉNUS ÉLECTRIQUE by Pierre SALVADORI – Out of Competition
AMARGA NAVIDAD by Pedro ALMODÓVAR
PARALLEL TALES by Asghar FARHADI
A WOMAN’S LIFE by Charline BOURGEOIS-TACQUET
LA BOLA NEGRA by Javier CALVO & Javier AMBROSSI
COWARD by Lukas DHONT
DAS GETRÄUMTE ABENTEUER by Valeska GRISEBACH
ALL OF A SUDDEN by HAMAGUCHI Ryusuke
THE UNKNOWN by Arthur HARARI
ANOTHER DAY by Jeanne HERRY
SHEEP IN THE BOX by KORE-EDA Hirokazu
HOPE by NA Hong-jin
NAGI NOTES by FUKADA Koji
GENTLE MONSTER by Marie KREUTZER
NOTRE SALUT by Emmanuel MARRE
FJORD by Cristian MUNGIU
THE BIRTHDAY PARTY by Léa MYSIUS
MOULIN by László NEMES
FATHERLAND by Pawel PAWLIKOWSKI
THE MAN I LOVE by Ira SACHS
EL SER QUERIDO by Rodrigo SOROGOYEN
(THE BELOVED)
MINOTAUR by Andrey ZVYAGINTSEV
Un Certain Regard
Opening film:
TEENAGE SEX AND DEATH AT CAMP MIASMA by Jane SCHOENBRUN
ELEPHANTS IN THE FOG by Abinash BIKRAM SHAH | 1st film
IRON BOY by Louis CLICHY
BEN’IMANA by Marie-Clémentine DUSABEJAMBO | 1st film
CONGO BOY by Rafiki FARIALA
CLUB KID by Jordan FIRSTMAN | 1st film
UĻA by Viesturs KAIRIŠS
LA MÁS DULCE by Laïla MARRAKCHI
(STRAWBERRIES)
EL DESHIELO by Manuela MARTELLI
(THE MELTDOWN)
SIEMPRE ONIONS TU ANIMAL MATERNO by Valentina MAUREL
(FOREVER YOUR MATERNAL ANIMAL)
YESTERDAY THE EYE DIDN’T SLEEP by Rakan MAYASI | 1st film
I’LL BE GONE IN JUNE by Katharina RIVILIS | 1st film
WORDS OF LOVE by Rudi ROSENBERG
EVERYTIME by Sandra WOLLNER
ALL THE LOVERS IN THE NIGHT by SODE Yukiko
Out of Competition
HER PRIVATE HELL by Nicolas WINDING REFN
Midnight Screenings
FULL PHIL by Quentin DUPIEUX
Cannes Premiere
KOKUROJO by KUROSAWA Kiyoshi
(THE SAMURAI AND THE PRISONER)
HEIMSUCHUNG by Volker SCHLÖNDORFF
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>>219586164
>She did a screen test that went to Jack Warner, and his one comment was, 'She's out, kid - no tits.' So they had Virginia Mayo instead.
This kind of talk is absolutely forbidden in /mannishtitlessbeauties/.
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>>219592860
well my recent watches are:
marty supreme (in theaters)
the omen (1976)
for love and gold (1966)
bad day at black rock (1955)
these are just 4 random movies but all were entertaining watches and it's just great to take a step back and enjoy the existence of over 100 years of films for us to enjoy (it's impossible to watch them all in a lifetime (even just the good ones) which is both good and sad)
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>>219589803
>Much to my surprise, on 1 October 1943 I was posted to the top-scoring single-seater fighter squadron in the RAF’s 11 Group, the 609 West Riding Squadron. It’s motto: ‘Tally Ho!’
>Flying Hawker Typhoons?
>Yes,Typhoons.
>When was the first time you saw real action?
>Well, I had seen action on escort duty for bombers and I was very keen in those days. I thought, here I have the best fighter in the world with four 20mm canons. I’m king. Then you quickly wake up to the fact that you are not king. One of my first experiences was escorting American Marauders on a bombing raid to Abbeville in France. We were just going to fly there and back, a journey of an hour and twenty minutes. I didn’t have long-range fuel tanks. The first problem was that the American bombers couldn’t find us at our rendezvous point. When they did, we’d been circling for ten minutes and then finally we managed to go to the French coast, but as I was flying on main tanks my engine started cutting out. It’s not funny because I had to switch over to reserve tanks, and what often happened is you got an airlock; you had a problem to start the engine again. You had to do all sorts of things to get the propeller turning. So I’m now on reserve tank and I call my commanding officer - who was a lovely man called Thornton Brown - and I said, ‘I’m on reserve now, will I be OK?’ And ‘You bloody fool, reduce your revs and get a homing on the radio. Try to glide as much as you can back to England.’ So I had to turn around. As I landed, my engine cut because I was out of petrol. I later found out that Thornton Brown and two other pilots were bounced by a high-level American escort who decided we were German Focke-Wulf 190s!The Americans had not seen Typhoons before so they did one dirty great dive. They shot down Thornton Brown, they shot down an American pilot we had in the squadron and they shot down another pilot.
>Friendly fire?
>Yes, friendly fire.
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>>219593100
>Our plan was to fly into inland France, go into echelon starboard, and then dive down and attack towards the sea on our way back to England. Well the first thing I noticed, because I was one of the last men in, was that planes were going down in flames before we’d even got over the French coast. I heard it over the radio and I thought, ‘My God!’ And then the next thing I found, when we were attacking, was that the German anti-aircraft guns were just aiming at the first plane because if they didn’t hit it, they hit the one behind. So I slid out to one side and came in at an angle, which probably saved my life.
>We’d never had serious losses before. But suddenly, in one show, the first really important one, we lost three aircraft. To lose three people was traumatic for all of us. In fact, when we landed back in England there was general depression. There was one pilot who bailed out - Junior his name was - and since I was the last one to attack I saw him hit the water. I sent out a Mayday to I circled round him until my petrol became too low and I had to leave. But they never found him. We were scramble Air Sea Rescue and probably the most effective close-support weapon the army had, and our losses were horrendous, really horrendous. From the beginning of 1944 to November ’44 we lost nearly twice the establishment of the squadron. Not all killed: some became prisoners, you know. But still a terrifying loss.
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>>219593211
>So I was in charge of 10,000 ex-Luftwaffe prisoners of war in a place called Wunstorf in northern Germany, near Hanover. The RAF asked me to sign on for another year to form these prisoners of war into labour units to reconstruct the airfield - the airfield that in 1948 and 1949 became one of the principal bases for supplying Berlin. It was a strange experience, but the funny thing is I was very popular with them even though they knew my background. I took the whole of the officer staff, still in uniforms, to Bergen-Belsen concentration camp two or three weeks after Belsen had been liberated, and it’s something I’ll never forget. The inmates, by this time, had been taken out of the camps and were living in the SS barracks, but they were almost proud to show us around, you know, proud of the horrors they’d lived through. I did not see one German who was not emotionally shattered by it. One tried to commit suicide two days later. It would have been easier to hate them, but I could not. Only if somebody had behaved arrogantly towards me would I have shot him dead. After that, they more or less administered themselves and they did some very good work.
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>>219596445
https://youtu.be/d8ktjw4c7JY&t=1431
Made me think of Nick doing a Clint Eastwood impression and remixing the outro song live. Pure gold
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I've got a filmic block inside my head
Somepony save me from my social life and the outdoors so I can cool off enough to sit down for a picture
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>>219597939
I'm neurotic about my movie times. To get anything watched it has to be spontaneous when I feel a drive. Watching before going to bed risks getting too sleepy to engage with it, and a paused movie never gets finished. Watching in the morning is no-go because taking my daily stims boosts my energy and I want to get things done with my hands or exercise. Besides, my neighbor makes too much noise between 11am and 12pm. The list goes on but I'm outta breath.
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>>219598580
Thank you very little.
>>219598598
You mean masochism? But agreed.
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>>219598957
Well sure, I have enough time to share with the whole class. But it's the energy allocation on very limited energy reserves that makes everything challenging.
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>>219597847
> Somepony save me from my social life and the outdoors so I can cool off enough to sit down for a picture
I work 60 hours a week and can only watch 4-7 films a week. I rarely speak a word to my wife and have more social interaction texting her boyfriend than I do with anyone else.
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>>219599616
You respond as me but respond how I would respond. That's true I haven't been depressed for years.
>>219599494
Are you sure you're not taking the piss bruv...
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Forgot to post this banger in the Chantal Goya thread...
https://youtu.be/blJldvAPwpQ
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>>219599966
>I onlyyy want to seee youuu giving meeee some slurple brain
I mean sure but I haven't done it in-person for two years. I'm good at phone sex because of how I sound like. Lucky me voice kink is a thing, but the excessive glazing gets mildly bothersome.
I have a friend who's engaged and she usually avoids being in a call with me because she's too into my voice. I have to speak to her in a girl falsetto.
>>219600265
That's a great time. A classic time. Right after dinner.
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>>219600648
I know. It just takes a lot less effort on my part and I get to make a woman cum. I love doing it. Prowling the outside world is asking too much.
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>>219606161
Friday night bullet ballet class
>>219607441
Jean Luc Godard's do get a little bit quirky at night
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>Photographer David Zimmerman rarely leaves home until friends bring him to a wild party. He becomes fixated on a mysterious woman and follows her. By dawn, his life transforms-he awakens in her body.
I'm going to fucking cum.
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High as fuck listening to 80s German guitar riffs. What to watch?
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>>219592315
Fran's tummy game ridiculous.
>/mannishtitlessbeauties/
Did someone really say this about her?
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>>219612508
It's been /film/'s alternate moniker for a while now...
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>>219612588
Look up Can Dialectics Break Bricks?
Also check out the works of Peter Tscherkassky, if you're not familiar with him.
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>>219612594
>>219612688
It's almost unbearable how lovely she was bros...
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Let me guess, you need more?
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>>219614204
How empowering.
>>219614182
Men need therapy.
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any other anti japanese kino?
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>>219618692
Bushido: The Cruel Code of the Samurai (1963) takes a steaming dump on the samurai. Co-written by the guy who wrote many of Mizoguchi's pictures.
>>219612508
Somebody mentioned tummy?
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>>219618904
fdgdgdsfg
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The first kiss is always the sweetest
From under some broad's sombrero
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>>219620316
*smooch*
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>1) Find legitimate, motivated excuses for moving the camera but always look for ways to move The eyeball is the organ most utilized in moviegoing. If you don't keep the eyeball entertained, no way you'll get the brain involved.
>2) Use as many interesting angles as you can. Don't repeat composition in close-ups. Don't remind the eye it's already seen the same thing.
>3) Make your villain as fascinating as your hero. A one-dimensional villain won't be as scary as a complicated, interesting one.
"How I Made a Hundred Movies in Hollywood and Never Lost a Dime", Roger Corman
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>>219623355
>>219623436
>>219623457
who makes these mosaic edits? is there a site for them, similar to film-grab but for videos?
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>>219617277
Ok, you realized you were cocinado and gave up. Happens.
>>219618158
He's a garbage filmmaker.
>>219619469
THE DEAD HAVE TAKEN MY SOOOOUL
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>>219625483
Still images > video clips.
Way too much uncoordinated movement in a 3x3 collage of completely different scenes, all of which are intended to be seen by themselves, not in a splitscreen with eight other scenes.
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I went up to Milwaukee to see an old friend of mine
And Thurston came over, he was out of his mind
>>219625548
i cant be psychotic when its all TRUE
>>219621776
just birkinfag carrying the flame of girlpetic :3
today feels auspicious. im thinking it's time for a picture <3
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>>219625570
True, but just look at how epic that third shot is here >>219623457 with the camera moving in and the guy climbing the ladder
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>>219625781
I explained why, brainlet.
Do you actually believe that any director or cinematographer intended for you to take their scenes and smush snippets of them together in a grid, without any regard for where they themselves want to direct your eyes?
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>>219625781
>>219625841
STOP FIGHTING!!! please! :((
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NEW
>>219626196
NEW
>>219626196
NEW
>>219626196
NEW
>>219626196
NEW
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